William Henry Holmes Papers
These papers include Holmes' personal and professional correspondence, including correspondence between other scientists, which was collected by Holmes in connection with his research. The correspondence mainly documents Holmes' research in American ethnology and archeology but also includes material dealing with international scientific meetings and professional conflicts. Also included are photographs …
William J. Hammer Collection
Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.
Clayton-Liberatore Gallery records
The records of Bridgehampton, New York's Clayton-Liberatore Gallery measure 3.9 linear feet and date from 1889 to 1980. The collection comprises administrative records that include photographs of artwork and former gallery owner Marie Sterner, and business records for galleries, museums, and arts institutions; artist's files containing records for artwork and exhibitions by over 80 artists including George Bellows, T. Victor Hall, Childe Hassam, Russell Iredell, William J. Scott, Augustus Vincent Tack, Hilda Taylor, and others; and printed materials consisting of art reproductions, books and booklets, clippings, and exhibition catalogs. Many of the files throughout the collection contain material created by Marie Sterner and the Marie Sterner Gallery.
Ernest Edwin Coffin Collection
Coffin, Ernest Edwin
Steckel, Geo. (George), 1864-
Falk, B. J. (Benjamin J.), 1853-1925
The collection documents Eugen Sandow and other bodybuilders through correspondence and photographs.
Scurlock Studio Records, Subseries 4.11: Customcraft Negatives
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
The subseries contains black and white silver gelatin negatives.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
Pratt, Read Corporation Records
Comstock, Cheney and Co.
Pratt, Read and Company
Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.
Photographs of Native Americans and Other Subjects
National Museum of Natural History (U.S.). Department of Anthropology
The collections consists mostly of original and copy prints. There are also some negatives, artwork, photographs of artwork, and printed materials. Included is a large miscellany of ethnological, historical, and some archaeological subjects collected by the Bureau of American Ethnology from a wide variety of sources. To these have been …
This accession consists of records documenting the various professional activities of David H. DeVorkin, curator in the Department of Space Science and Exploration, later the Department of Space History and then the Division of Space History, including fellow evaluations, manuscript editing, and research, as well as professional correspondence. Also included …
This accession consists of records documenting the development and execution of the exhibition Visual Music: 1905-2005. The exhibition was curated by Judith Zilczer, Curator of Paintings, 1992-2003, who continued to work on the exhibition as Curator Emerita after her retirement. Materials include correspondence and memoranda; background and research materials; photocopies and slides …