This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools.
The collection is comprised of photographs taken by Susan Vogel in Côte d'Ivoire during the 1970s. Most depict the Baule peoples, including during their Goli Dance in Bokpli.
The collection consists of approximately 25,000 images (negatives and prints) taken by the late Dr. Timothy Garrard (1943-2007). Some images were taken in Ghana, Mali and Burkina Faso between 1980-1990, but the majority were taken in Cote d'Ivoire from 1983-2002. Subjects depicted include natural and cultural landscapes, the Senufo Poro society, and the Akan, Baule and Senufo peoples.
Peoples and kingdoms whose art works are shown include the Asante, Baule, Benin, Boki, Dogon, Fang (Pahouin), Ijo, Kuba, Lumbu, Mama, Mende, Mpongwe, Punu and Yoruba. Objects depicted include garments, doors, fly whisks, gold weights, headrests, jewelry, masks, musical instrument such as bells and rhythym pounders, power figures, pipes, staff finials, stools and wood sculptures of men and women.
These papers of Philip L. Ravenhill primarily document the period during which he was a graduate student at the New School for Social Research and contain his field research on the Wan and neighboring groups in the Ivory Coast. There are also some some research files of Judith Timyan, whom Ravenhill was married to at the time.
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
This collection documents the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples; architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes in Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal.
Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.
Photographs taken by Eliot Elisofon in Africa and in European and American museums and collections during his extensive travels from 1942 through 1972. African kingdoms and peoples represented include Afo, Anyi, Asante, Atie, Baga, Bamana, Baule, Bembe, Benin, Bobo, Boki, Bozo, Chamba, Chokwe, Dan, Dinka, Dogon, Ebrie, Efik, Ejagham, Hausa, Ibibio, Idoma, Ife, Igbo-Ukwu, Ijo, Jenne, Jukun, Kamba, Kissi, Kom, Kongo, Kono, kota, Kpelle, Kuba, Kuyu, Kwele, Lega, Lobi, Loma, Lozi, Luba, Lulua, Lunda, Mambila, Mende, Mossi, Nalu, Ndebele, Ngbaka, Ngoni, Nok, Nupe, Nyamwezi, Pende, Suku, Susu, Tabwa, Teke, Temne, Tetela, Tiv, Tuareg, Urhobo, Vai, Woyo, Yaka, Yoruba, and Zande.
The photographs document a variety of art works created by Africans. Objects depicted include boxes, bracelets, figures, gold weights, headrests, heads, masks, pendants, stools, and trumpets. Peoples and kingdoms represented include Anyi, Asante, Bamum, Bangwa, Baule, Benin, Chokwe, Fang (Pahouin), Fon, Ife, Lega, Luba, Mende, Nok, Pende and Yoruba. Princeton University staff assembled the collection to illustrate the publications entitled, African Folktales & Sculpture, ed. by Paul Radin (New York: Pantheon Books, 1952). Photographers represented include Ina Bundy, Eliot Elisofon, Walker Evans and Man Ray.