22 records — Page 1 of 3
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Creators:
Duveneck, Frank, 1848-1919
Dates:
1845-1919
Size:
0.2 Linear feet ((on a partial microfilm reel))
Collection ID:
AAA.duvefrap
Repository:
Archives of American Art

Correspondence, 1845-1919, of Duveneck and his wife, Elizabeth Boott Duveneck. Included are two letters from Duveneck to Theodore Wores and 7 letters from Julius Rolshoven. Other correspondents include John W. Beatty, William Couper, Daniel Chester French, Mrs. Walter Shirlaw, and Thad Welch. Many of the letters from Elizabeth Boott were written fr...

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Creators:
Homer, Winslow, 1836-1910
Dates:
1846-1954
Size:
2 Microfilm reels
Collection ID:
AAA.homewins
Repository:
Archives of American Art

Biographical documents; correspondence; notebooks; artworks; scrapbooks; printed material; and photographs; ca. 600 items, total.

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Creators:
Weitenkampf, Frank, 1866-1962
Dates:
1889-1942
Size:
1,000 Items ((on partial microfilm reel))
Collection ID:
AAA.weitfran
Repository:
Archives of American Art

Letters to Weitenkampf, mainly from artists and collectors concerning examples of their works in the library's collection.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
White, Henry Cooke, 1861-1952
White, Nelson C.
Dates:
circa 1851-1961
Size:
4.5 Linear feet
Collection ID:
AAA.whitnels
Repository:
Archives of American Art

The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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Creators:
Thayer, Abbott Handerson, 1849-1921
Dates:
1851-1999
bulk 1881-1950
Size:
5.12 Linear feet
Collection ID:
AAA.thayabbo
Repository:
Archives of American Art

The papers of painter and naturalist, Abbott Handerson Thayer, and the Thayer family date from 1851 to 1999, with the bulk of the material dating from 1881 to 1950, and measure 5.12 linear feet. Thayer's painting career, interest in concealing coloration (camouflage) in nature, and relationships with artists, patrons, family, and friends are documented through correspondence, writings, scattered legal and financial records, printed materials, and a scrapbook. Photographs are of Thayer, his family, studio, and friends, including artists. The collection also contains family papers created by his second wife, Emma Beach Thayer, his son Gerald, his daughters Mary and Gladys, and Gladys' husband David Reasoner, who managed Thayer's estate after his death.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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Creators:
Freer, Charles Lang, 1856-1919
Dates:
1876-1931
Size:
131 Linear feet (29 architectural drawings)
Collection ID:
FSA.A.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

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Creators:
National Museum of Natural History. Division of Mollusks
Dates:
1851-1982 and undated
Size:
58.76 cu. ft. (39 record storage boxes) (9 document boxes) (26 tall document boxes) (9 microfilm reels)
Collection ID:
Record Unit 73
Repository:
Smithsonian Institution Archives

The Archives would like to thank the staff of the Division of Mollusks for their cooperation in transferring the records to the Archives. We especially appreciate the help of Clyde Roper, Richard Houbrick, and Michael Sweeney.

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22 records — Page 1 of 3