Statements from artists participating in the "Crosscurrents U.S.A." exhibit at the Detroit Institute of Arts, including Romare Bearden, Leland Bell, Benjamin F. Cunningham, Elaine De Kooning, Balcomb Greene, Joseph Hirsch, Lester F. Johnson, Alex Katz, Robert Kaupelis, John Koch, Jacob Lawrence, Alice Neel and John Wilson.

An interview of Nell Blaine conducted 1967 June 15, by Dorothy Seckler, for the Archives of American Art.

The papers of New York painter, Charles Cajori measure 5.8 linear feet and 0.070 GB and date from 1942-2011. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions, one digitized, on art and artists; and printed materials.

Correspondence, biographical and other notes, a monograph on Heliker by Karen Kissin, clippings, snapshots, sketchbooks, and catalogs. Included in the correspondence are letters from Isabel Bishop, John Cage, Russell Cowles, Merce Cunningham, Philip Guston, Richard Lippold, Carl Ruggles and Henry Schnakenberg.

The collection comprises 29 linear feet of records that document the day-to-day administration of the Robert Schoelkopf Gallery from 1962 to 1991, with additional items predating the founding of the gallery from 1851 to 1961. The collection records artist and client relations, exhibitions, and daily business transactions through artist files, correspondence, printed matter, and photographic material.

The lectures and panel discussions of the Alliance of Figurative Artists measures 2.0 linear feet and 1.24 GB and date from 1969 to 1970. The collection consists of twenty-four tape recordings and two recordings in digital format of panel discussions, and lectures held in conjunction with meetings of the Alliance of Figurative Artists in New York. Artists represented include: Lennart Anderson, Milet Andrejevic, Noah Baen, William Bailey, Rosemarie Beck, William Beckman, Leland Bell, Robert Birmelin, John Bradford, Joel Brody, Harold Bruder, Rudy Burckhardt, John Button, Gretna Campbell, Richard Chiriani, Bruno Chivitico, Thomas Cornell, Lucien Day, Lois Dodd, Ben Einhorn, Walter Erlebacher, Lawrence Faden, Louis Finkelstein, Joseph Fiore, Jane Freilicher, Stanley Friedman, Joel Galker, Paul Georges, Gregory Gillespie, Lloyd Glasson, Joel Goldblatt, Nancy Grilikhes, Nathan Hale, Aaron Kersen, John Koch, Majorie Kramer, Al Kresh, Gabriel Laderman, Alfred Leslie, Frank McCall, Edward Melcarth, Raoul Middleman, Richard A. Miller (Richard McDermott), Philip Pearlstein, Joseph Pollet, Paul Resika, Ben Rifkin, Anthony Siani, Bonnie Sklarski, William Sullivan, Sam Thurston, Sidney Tillim, Louis Tytell, and Neil Welliver.

An interview of William H. Bailey conducted 2012 October 10- December 5, by James McElhinney, for the Archives of American Art at Bailey's studio, in New Haven, Connecticut.

This accession consists of correspondence files which include documents sent to Harrison Gray Dyar and Wellesca Pollock Allen Dyar by B. Preston Clark, G. T. Clark, James Chamberlain Crawford, Leland Ossian Howard, Frederick Knab, E. B. O'Leary, George Freeman Pollock, and Francis X. Williams, 1911, 1914-1917, 1919-1922, 1924, and undated, ...

These papers consist primarily of correspondence between Sherman and entomologists and other naturalists including Alexander Agassiz, William Harris Ashmead, Samuel Henshaw, Leland Ossian Howard, John Lawrence LeConte, Clinton Hart Merriam, Alpheus Spring Packard, John Bernhard Smith, Robert Evans Snodgrass, Charles Henry Tyler Townsend, ...

The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.