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- Creators:
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Midtown Galleries
- Dates:
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1904-1997
- Size:
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86.82 Linear feet
- Collection ID:
- AAA.midtgall
- Repository:
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Archives of American Art
The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.
Found In
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Library of Congress. Copyright Office
- Dates:
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bulk 1890s-1920s
1860s-1930s
- Size:
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6,085 mounted prints (circa, albumen, collodion, silver gelatin, platinum)
- Collection ID:
- NAA.PhotoLot.59
- Repository:
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National Anthropological Archives
The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other str...
Found In
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1928-1994
- Size:
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320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
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Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Found In
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- Creators:
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Cummings, Willard Warren, 1915-1975
- Dates:
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1911-1997
bulk 1930-1975
- Size:
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19.3 Linear feet
- Collection ID:
- AAA.cummwill
- Repository:
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Archives of American Art
The papers of painter and co-founder of the Skowhegan School of Painting and Sculpture Willard Warren Cummings measure 19.3 linear feet and date from 1911 to 1997 with the bulk of the papers dating from 1930 to 1975. The collection documents Cummings's career as an artist through biographical material, correspondence, writings, printed materials, scrapbooks, artwork, and photographic material.
Found In
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- Creators:
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Blue Eagle, Acee, 1907-1959
- Dates:
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1907 - 1975
- Size:
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673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
- Collection ID:
- NAA.1973-51
- Repository:
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National Anthropological Archives
Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.
Found In
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- Creators:
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Science Service
- Dates:
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1902-1965
- Size:
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268.55 cu. ft. (79 record storage boxes) (372 document boxes) (2 12x17 boxes) (3 3x5 boxes) (3 5x8 boxes) (2 tall document boxes)
- Collection ID:
- Record Unit 7091
- Repository:
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Smithsonian Institution Archives
The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director. ...
Found In
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- Creators:
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National Museum of Natural History (U.S.). Department of Anthropology
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
- Dates:
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1840s-circa 2015
- Size:
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330.25 Linear feet (519 boxes)
- Collection ID:
- NAA.XXXX.0311
- Repository:
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National Anthropological Archives
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Found In
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- Creators:
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Carnegie Institute, Museum of Art
- Dates:
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1883-1962
bulk 1885-1962
- Size:
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265.8 Linear feet
- Collection ID:
- AAA.carninst
- Repository:
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Archives of American Art
The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.
Found In
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- Creators:
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American Federation of Arts
- Dates:
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1895-1993
bulk 1909-1969
- Size:
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79.8 Linear feet
- Collection ID:
- AAA.amerfeda
- Repository:
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Archives of American Art
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.