William J. Powell (Craftsmen of Black Wings, Inc.) Photograph Collection
This collection consists of 9 copy prints and 14 copy negatives. The bulk of the images were copied from issues of Craftsmen Aero News and relate to the Craftsmen of Black Wings organization, including photographs of William J. Powell, Marie Dickerson, and Myrtle Bishop.
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Pauline B. and Myron S. Falk, Jr. Papers
Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron Samuel (Johnny) Falk Jr. (1906-1992). This collection includes correspondence; art collection documentation; research materials; photographs (slides and prints) and audiovisual materials; financial information; biographical data; records of philanthropic and social activities; travel records; and appointment books.
Curtis W. Sabrosky Papers
This accession consists of records taken from Curtis Sabrosky's home after his death and given to the Department of Entomology. Materials include personal correspondence, family photographs, photographs and documents of Sabrosky's extensive travels (both holidays and trips to professional meetings), photographs of specimens, professional correspondence, lecture slides, travel slides, journals …
Alan Stone Papers
The papers of Alan Stone consist of incoming and outgoing correspondence documenting his career at the USDA and his research on Diptera. Most of the letters concern the identification of specimens.
Peter Hurd and Henriette Wyeth Hurd papers
The papers of painters Peter Hurd and Henriette Wyeth Hurd measure 5.2 linear feet, date from 1917 to 1993, and present an overview of their careers and their lives together through correspondence, notes, writings, artwork, printed material, and photographs.
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
The subseries includes black and white silver gelatin negatives.
The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.
The SI-PCEP records fall into two main areas: Those about the program in general and those about the various environmental projects. The administrative records provide a broad understanding of the scope of SI-PCEP, especially as revealed through the contract files. These administrative records document the creation and continued efforts to …
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
Climbing Jacob's Ladder: the Rise of Black Churches in Eastern American cities, 1740 - 1877 Exhibition Records
An exhibition on the growth of African American churches in the eastern United States. The exhibit was organized by the Anacostia Neighborhood Museum and held there from October 1987 to October 1988. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.