This album contains 57 photographic prints, dating from circa 1899-1900, depicting the indigenous peoples of the Belgian Congo (later known as Zaire and presently known as the Democratic Republic of the Congo). Subjects depicted include costumes, body arts (hairstyles and scarification), funerary rituals, weavers and blacksmiths. Culture groups represented in the collection include the Kasai, Kwango and Luba peoples.
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
Photographs taken by James E. Payne while on vacation in East Africa of Coptic Christians in Ethiopia and the daily life of the Nuba and people in the Sudan. Images of Christians, mostly taken in the village of Lalibel, show various activities such as celebrations during the Timkat festival, cooking, Bible study and washing. Also depicted are art objects to include crucifixes and illuminated manuscripts. Images of the Nuba in Sudan, many from the Kordofan region, illustrate activities such as boat building in Omdurman, celebrating an Islamic festival in Omdurman, buying and selling in markets, and wrestling. Portraits depict body art and costumes. Also included are structures such as burial mounds and decorated houses.
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.
An exhibition on the history of the Alvin Ailey American Dance Theater. The show was organized by the New York Public Library for the Performing Arts and exhibited at the Anacostia Neighborhood Museum from March 1993 to June 1993. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, exhibit scripts, administrative records, brochures, and floor plans.
The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.
This collection contains a variety of materials including (1,615) 35 mm color slides, circa 400 photographic prints, 1 box of manuscript materials, 1 notebook, 52 audio and 1 video cassettes, and 1 CD-ROM. Many of the slides and photographs were taken during Houlberg's field work in Nigeria (1973-1975) and depict Ibeji figures, wood carvings, Egungun masquerades and masks, twins, portraits, hairstyles, festivals, shrines, textiles, and peoples including the Yoruba, Ekoi, Ibibio, and Ogoni. The audiocassettes consist of lectures, music, field records, and interviews.
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Also 18 pages, apparently a variant of that section of the manuscript beginning on page 142. With 4 pages of correspondence, including letter of transmittal dated April 28, 1911.