The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.

This collection consists of technical papers, tables, charts, photographs and other information on tests of the physical, and chemical properties of metals, as determined by various cutting and other processes.

This donation consists of one copy of TM 1-205, Air Navigation; one copy of Instrument Flight Part One: Basic Air Work; one copy of Instrument Flying Advanced Theory and Practice; and a scrapbook detailing Clarke's time in the Navy. The scrapbook is separated into two sections: LITIS and CNTS. The first section of the scrapbook focuses on Link Inst...

This collection consists of one 272 page scrapbook of newspaper articles, photographs of Jay B. Benton, photographs of his balloon, and photographs taken from the balloon. The articles are from various periodicals including Boston Evening Transcript, Boston Post, Boston Herald, Boston Daily Globe, The Republican, New York Times, The Rochester Heral...

The papers of Michiko Takaki, 1921-2011 (bulk 1960s), document her field work among the Kalinga people of the northern Philippines and her professional contributions as a faculty member at the University of Massachusetts, Boston. The papers consist primarily of economic and linguistic field data gathered between 1964 and 1968, used in the production of her doctoral dissertation ("Aspects of Exchange in a Kalinga Society, Northern Luzon," 1977) and throughout her anthropological career. The collection consists of field notes, maps, photographic prints, negatives, slides, sound recordings, recorded film, data and analysis, correspondence, working files and drafts, and publications.

The papers of Massachusetts painter, sculptor, and educator David Berger measure 3.8 linear feet and date from circa 1939 to 1986. His career as an artist and professor are documented through biographical material, personal business records, scattered correspondence, gallery files, exhibition catalogs, news clippings, and other printed material, as well as nine sketchbooks and photographs depicting Berger, his family, and artwork.

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

The Elise Asher papers measure 1.6 linear feet and date from 1923 to 1994. The collection includes biographical material, letters, writings, works of art, business records, printed material, and photographs reflecting Asher's career as a poet, painter, and sculptor, and her friendships with many prominent artists of the mid-twentieth century.

37 glass plate slides, silver gelatin, black-and-white, mounted with cover glass and tape. primarily depicting industrial and occupational subjects, plus views of Boston and New York City.

This collection consists primarily of correspondence with mineralogists., collectors, and museums concerning Shepard's research on meteorites and the acquisition of specimens for his collection. Also included are notebooks, scrapbooks, catalogues, and lectures of Shepard; specimen lists; and newspaper clippings collected by Shepard mostly ...