Braunstein/Quay Gallery records
The Braunstein/Quay Gallery records measure 36.9 linear feet and date from 1956 to 2011. The records consist of administrative records, artist files, exhibition and event files, and financial records that shed light on the gallery's operations through correspondence, price lists, inventories, printed material, born digital material, photographs, and more.
Oral history interview with Richard Shaw [videorecording]
Karlstrom, Paul J.
12 Items (Duplicate: 12 videocassettes (30 min. each) (VHS), sd., col., 1/2 in.)
1 Item (Edited version: "Richard Shaw : Love of the Common Object": 1 videocassette (60 min.) (Beta), sd., col., 1/2 in.)
1 Videocassettes (VHS) (Edited version: "Richard Shaw: Love of the Common Object" (10 min.), sd., col., 1/2 in.)
An interview with Richard Shaw conducted 1998 April 3 and6, by Paul J. Karlstrom, for the Archives of American Art, at Shaw's home and studio, Fairfax, California, and at the Quay Gallery, San Francisco, California.
Oral history interview with Ruth Braunstein
An interview of Ruth Braunstein conducted 2009 August 10, by Jo Lauria, for the Archives of American Art, at Braunstein's home, in San Fransisco, California.
Paul Karlstrom interviews of and relating to Ruth Braunstein
Fifteen Interviews conducted by Paul Karlstrom for a project he identified as the Ruth Braunstein Oral History Project conceived by Marna Braunstein Clark, Braunstein Trust, and funded by Braunstein's childhood friend Jody Gottfried Arnhold. Interviews are with Ruth Braunstein, founder and director of the Braunstein/Quay Gallery in San Francisco …
Oral history interview with Rena Bransten
Riedel, Mija, 1958-
Viola Frey Oral History Project
99 Pages (Transcript)
An interview with Rena Bransten conducted 2014 May 29- 2015 July 10, by Mija Riedel, for the Archives of American Art's Viola Frey Oral History Project at Bransten's home in San Francisco, California.
Dominic Di Mare papers
The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs.
Oral history interview with Dominic Di Mare
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
An interview of Dominic Di Mare conducted 2002 June 4-10, by Signe Mayfield, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at his home and studio, in Tiburon, California.
Clay Spohn papers
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.
ArtTable, Inc. records
The records of non-profit organization ArtTable, Inc., measure 1.4 linear feet and 90.41 GB and date from 1979-2013. The collection includes administrative documents, correspondence, and printed material, as well as audiovisual and born-digital recordings and transcripts of interviews conducted by the organization as part of an oral history project on women in the art world.
Fendrick Gallery records
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.