Hugh Henry Breckenridge papers
Valley House Gallery
Notes, writings, sketches, printed material, correspondence, photographs, scrapbooks, and exhibition materials. REEL 1779: 2 logbooks of paintings with photographs, prices, and exhibition records; a photograph of students at the Pennsylvania Academy of Fine Arts; three scrapbooks of photographs of his paintings and portraits; photocopies of clippings and of a brochure of the …
Katherine Dunn Pagon papers relating to Hugh Breckenridge
Letters received from Hugh Breckenridge, Grace Breckenridge, Dorothy Breckenrdge, and Margaret Breckenridge Skinner; clippings and exhibition notices regarding Hugh Breckenridge; and a photograph album of Hugh Breckenridge's work.
Oral history interview with Francis Speight
Blakeslee, Sarah Jane, 1912-
An interview of Francis Speight conducted 1987 April 4-5, by David Sellin, for the Archives of American Art.
Letters to Albert Rosenthal
Letters received, mainly from artists, Sept. 27, 1885-June 3, 1936, and undated, about works of art, invitations, exhibitions, art, travels and other art related subjects.
Walter Elmer Schofield papers
Biographical material, correspondence, business records, notes, printed material and photographs document the career of landscape painter Walter Elmer Schofield.
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Richard York Gallery records
The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 87.5 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. The collection contains artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, artists' files, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella).
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Moses and Frances Asch Collection
Distler, Marian, 1919-1964
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.