9 records — Page 1 of 1
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Creators:
Hirshhorn Museum and Sculpture Garden. Office of Public Affairs
Dates:
1999-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 07-028
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the publicity of exhibitions at the Hirshhorn Museum and Sculpture Garden. Exhibitions documented in this accession include Faces of Friendship: The Art World Circle of Joseph and Olga Hirshhorn in Documentary Photographs; Hirshhorn Collection at 25: Celebrating Modern and Contemporary Art; D...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
1996-2000
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 01-156
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and execution of exhibits, including Collection in Context: Raymond Duchamp-Villon's 'The Horse'; Faces of Friendship: The Art World Circle of Joseph and Olga Hirshhorn in Documentary Photographs; Brice Marden Work of the 1990s: Paintings, Drawings, and Prints; and Dali's Optical...

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Creators:
Novros, David, 1941-
Dates:
1963-2008
Size:
1 Linear Feet
Collection ID:
AAA.novrdavi
Repository:
Archives of American Art

The papers of abstract painter David Novros are dated 1963 to 2008, and measure 1.0 linear foot. Correspondence, records relating to the Liaunig Boat House commission (Middleburgh, NY), interview transcripts, printed material, and photographs document the painter's professional career.

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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Creators:
Rosenthal, Nan
Dates:
circa 1940-2013
Size:
17.1 Gigabytes
26.6 Linear feet
Collection ID:
AAA.rosenan
Repository:
Archives of American Art

The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1991-1999
Size:
5.5 cu. ft. (5 record storage boxes) (1 document box)
Collection ID:
Accession 03-143
Repository:
Smithsonian Institution Archives

This accession consists of records documenting objects used in exhibitions at the Hirshhorn Museum and Sculpture Garden. Materials consist of correspondence, memoranda, loan agreements, object lists, loan record sheets, shipping records, insurance records, condition notes, and indemnities.

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Creators:
André Emmerich Gallery
Dates:
circa 1929-2009
Size:
311.4 Linear feet
Collection ID:
AAA.andremmg
Repository:
Archives of American Art

The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

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Creators:
De Land, Colin, 1955-2003
Dates:
1968-2008, bulk 1980-2003
bulk 1980-2003
Size:
15.15 Linear feet
0.901 Gigabytes
Collection ID:
AAA.delacoli
Repository:
Archives of American Art

The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

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Creators:
Ashton, Dore
Dates:
circa 1928-2014
1849
1931 - 1983
bulk 1952-2014
Size:
35.6 Linear feet
Collection ID:
AAA.ashtdore
Repository:
Archives of American Art

The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.

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9 records — Page 1 of 1