The photos include images of aircraft, on the ground and in flight; pilots; and winners receiving trophies. Pilots portrayed include Charles Brown, Cook Cleland, Jacqueline Cochran, Joseph C. De Bona, Ben McKitten, Betty Skelton, and Roscoe Turner.

The records of the Charles Campbell Gallery in San Francisco date from 1960 to 2001 and measure 17.6 linear feet. The records include business correspondence with galleries, curators, trusts, and individual buyers and sellers; business records consisting of administrative files, business notebooks, and financial material; artist and exhibition files; and Charles Campbell's related personal files that include correspondence, catalogs, newsletters, and clippings about jazz, and photos and travel. Substantial artist files exist for Nathan Oliveira, which contain original artwork and photos of the artist, Peter Allegaert, Gordon Cook, Charles Griffin Farr, Morris Graves, Robert Harvey, Geer Morton, Fred Reichman, Jean Rustin, Stephani Sanchez, and Wayne Thiebaud, among others.

Includes photos of site and objects, letters from J.G. Browning, J.W. Fewkes, and C.D. Walcott, affidavit of T.J. Griffith, and newspaper clippings.

A farm journal and account book for a farm located at Long Branch, Harford County, Maryland, covering the time period March 1879 to August 1884 (excepting 1880) and documenting all aspects of farm life and labor.

Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, ge...

Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.

These papers consist mostly of incoming and outgoing correspondence documenting Brown's career with the USGS, his work at the USNM, and his paleobotanical research. The correspondence concerns the acquisition, loan, and identification of fossil plant specimens; the publication and review of scientific papers; and professional activities. ...

These records consist of incoming correspondence primarily to Frederic Augustus Lucas, a curator in the Division, from Charles E. Beecher, William Cooper, Nelson Horatio Darton, James W. Gidley, George Brown Goode, James Hall, John Bell Hatcher, Othniel Charles Marsh, William McAdams, Henry Fairchild Osborn, and Charles D. Walcott. Also includ...

The Neil Juhl Larsen research material on Charles Biederman measures 9.4 linear feet and dates from circa 1927-2011. The material was compiled primarily by Neil Juhl Larsen in preparation for his biography, Charles Biederman (Hudson Hills Press, 2011). Also included is a small amount of material compiled by art historian Susan Larsen (no relation to Neil), who completed the book after Neil Larsen's death in 2006. The bulk of the research material consists of original papers belonging to Charles Biederman, including biographical material, correspondence, writings, personal business records, printed material, and photographs. These papers were given to Neil Juhl Larsen by Biederman and his daughter Anna Biederman Brown.

The Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers measure 10.54 linear feet and date from 1789 through 2000, with the bulk of the material dating from circa 1870-1996. The collection presents an overview of the personal lives and careers of painter, Oliver Ingraham Lay and his son, landscape architect, Charles Downing Lay. In addition, there are the papers of Lay family members and friends, including those of the Marian Wait Lay family (wife of Oliver Ingraham Lay) and of the Laura Gill Lay family (wife of Charles Downing Lay). Also found are the papers of the landscape and nature painter Fidelia Bridges. The collection consists of biographical material, correspondence, diaries, writings and notes, scrapbooks, family business records, exhibition files, printed material, as well as original artwork, sketches, a sketchbook, landscape designs, and photographs.