12 volumes of journals (1915-1933), documenting the technical aspects of his artistic career including drawing, printing, and lithography. They include accounts of experiments and work for other artists, including George Bellows, as well as definitions and excerpts of the writings of others.

Two volumes of consignment records of prints; sketchbooks and drawings of French architecture; writings, including a notebook on printmaking made while studying with Bolton Brown; a notebook of engineering drawings for Princeton; a scrapbook; minutes of Art Association Representatives, New York World's Fair; Artists for Victory minutes and scrapboo...

Biographical information, including resumes and a typescript by Barker's wife; correspondence with his publisher and dealer, Elizabeth Whitmore; correspondence with Bolton Brown, John Taylor Arms, Albert Fowler, print societies, and suppliers; letters regarding exhibitions; a manuscript on lithography; notes on a course with Brown; clippings; photo...

Letters from Smith to "Bobby" and "Maysie", many illustrated, describing her activities and acquaintances, the sale of her art work, and a meeting with Howard Pyle. Includes transcription of the play "Henry Morgan."

Letters to Cast from Clement Greenberg consists of three postcards and two letters between 1981 and 1987. The letters, though brief, reveal Greenberg's characteristic voice and report on the critic's later life as an art celebrity, in which he ruminates on being constantly on the go from lectures to receiving awards. Greenberg also mentions Jules O...

An interview of Anne Truitt conducted 2002 April-August, by Anne Louise Bayly, for the Archives of American Art, in Washington, D.C.

Biographical material, correspondence, legal and financial material, notes and writings, art work, scrapbooks, sketchbooks, printed material, subject files and photographs.

Materials relating to the Sartain family and to Thomas and Susan Eakins. The Sartain materials include letters, 1845-1945, to Emily Sartain, Harriet Sartain, John Sartain, Samuel Sartain and William Sartain. Correspondents include artists William Trost Richards, James Hamilton, Russell Smith and Xanthus Smith.

These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps. A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catherine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athabaskan languages including Atna, Tutochone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara Sue's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series X: Card Files. Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March. Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.

An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.