Oral history interview with John Buck
Matteson, Lynn Robert
Stoddard-Fleischman History of Rocky Mountain Area Artists project
49 Pages (Transcript)
An interview of John Buck conducted 2008 September 13-14 and December 13, by Lynn R. Matteson, for the Archives of American Art, at Buck's homes and studio, in Bozeman, Montana and Palm Desert, California.
Oral history interview with Robert David Brady
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
107 Pages (Transcipt)
An interview of Robert David Brady conducted 2008 March 10-12, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Niagara Falls Bridge Commission Records
bulk 1890-1929
Correspondence, bridge construction and condition reports, financial records, and other materials created by or concerning the Niagara Falls International Bridge Company and the Niagara Falls Suspension Bridge Company (NFSB). The main focus of the collection is company administration and the daily operation of a series of bridges connecting the U.S. and Canada over the Niagara Gorge.
Robert James Crabb papers
Christmas cards; sketches and drawings in ink, pencil and ink wash; and a scrapbook containing a photograph, a pencil sketch by Crabb, clippings of poetry by Crabb from an unidentified source, and clippings regarding exhibitions in the 1930's of Houston artists including Beulah Schiller Ayars, McNeil Davidson, Genevieve Filson, Grace …
Hattie Meyers Junkin Papers
bulk 1920-1933
This collection consists of the personal papers of Hattie Meyers Junkin. The material consists of correspondence, scrapbooks, and manuscripts, as well as material on Junkin's husbands and Weaver Aircraft Co.
Kraushaar Galleries records
0.181 Gigabytes
The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks. There is a 6.0 linear foot unprocessed addition to this collection donated in 2022 that includes correspondence with artists, galleries, organizations and individuals regarding works of art, filed alphabetically by year. Materials date from circa 1959-1999, with the bulk from 1990-1999.
Albert Rosenthal papers
Correspondence, printed material, and photographs relating to Rosenthal's work, primarily as a portrait painter and collector of American art and artists' papers. Some material pertains to Rosenthal's father, the engraver Max Rosenthal.
George Leslie Stout papers
1897-1978
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts and Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Records
This accession consists of correspondence, memoranda, reports, price lists, and publications documenting relations between the National Zoological Park (NZP) and domestic and foreign zoological parks and animal dealers. Much of the material documents the acquisition, loan, and exchange of animals. Most of the records were created during the tenure of …
