Photographs taken by James Lee in Cameroon, Ghana, Cote d'Ivoire, Kenya, Mali, Nigeria, Burkina Faso, and Zimbabwe between 1963 and 1970. The images reflect a variety of themes.
Photographs taken by Carl M. Purcell during his travels through East Africa and West Africa to include Ethiopia, Senegal, Chad, Burkina Faso, Mauritania, Tanzania, Gabon and Ghana. Images are mostly portraits of individuals, circa 1970.
Photographs taken by Roy and Brigitta Mitchell during their travels in Benin, Senegal, Togo and Burkina Faso from 1980 to 1982.
Photographs taken and postcards gathered by Philip M. Abrams during his travels through Liberia, Mali, Guinea, Cote d'Ivoire, Cameroon and Burkina Faso, 1970-1973. Activities documented in the images include a Bundu sande women's society performance with Sowei (female guardian spirit) masks in Liberia; a Dogon dama (festival) masquerade staged for tourists in Sangha, Mali; a Grebo war dance in Krutown, Monrovia, Liberia; young Vai boys during initiation into the poro male secret society; and masked Vai dancers performing on Providence Island, Monrovia.
The collection consists of approximately 25,000 images (negatives and prints) taken by the late Dr. Timothy Garrard (1943-2007). Some images were taken in Ghana, Mali and Burkina Faso between 1980-1990, but the majority were taken in Cote d'Ivoire from 1983-2002. Subjects depicted include natural and cultural landscapes, the Senufo Poro society, and the Akan, Baule and Senufo peoples.
The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.
Much of this collection depicts architecture and peoples in such varying places as Mali, Niger, the Ivory Coast, and Burkina Faso. There are images of peoples including the Dogon in Timbuktu, Gao, San, and Fulani peoples.
Photographs taken by Allan L. Pitcher, a Foreign Service officer working and traveling in Nigeria, Cameroon, Liberia, Ghana and Upper Volta. Images include individual and group portraits of men, women and children, leaders and village elders. There are numerous images of markets to include close-ups of market stalls and street views. Also included are images of rites, ceremonies and various dance performances in Liberia, among the boys about to enter the initiation camp, women of Sande society and dances performed in conjunction with government ceremonies. Another focus of the photography are industry and economic activities. Slides show rubber production in Firestone Rubber plantation (Liberia), mining and dam construction. Among the most important images are architectural shots, which include African residences as well as official buildings. Pitcher also photographed the Esso station with the screens by Adebisi Akanji and a shrine in Oshogbo.
Twenty-two of thirty photographs published in the picture book entitled, L'Afrique Occidentale Française, by Librairie de l'enseignement, Paris, 1934. The book was the twenty-first book in a series of thirty-six picture books. The images are numbered 601 through 530. Missing image numbers are 604, 606, 607, 608, 609, 612, 613 and 625.
This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.