Philip Pearlstein papers
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
Inventing the Surveillance Society
Proctor, Nancy, 1968-
Solove, Daniel J., 1972-
A symposium held by the National Museum of American HIstory's Lemelson Center, October 25, 2013. The symposium featured speakers, panel discussions, roundtable talks. Featured participants were John Gray, Steve Keller, Sam Quigley, Eiizabeth Merritt, Nancy Proctor, David Lyon, Josh Lauer, Al Shipp, Jonathan Cantor, Jeffrey Brodie, Ken Lipartito, James G. Kobielus, Daniel …
Ed Jackson "Book of Radio Personalities" Scrapbook
H. Edwin Jackson created this scrapbook of radio stars while living in Chicago, Illinois during the Great Depression.
Marilyn E. Jackler Memorial Collection of Tobacco Advertisements
The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.
Bernard Harper Friedman papers
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Sam DeVincent Collection of Illustrated American Sheet Music, Series 6: Moving Pictures and Movie Stars
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
This accession consists of records which document all the various aspects of exhibition development, planning, design, and publicity. In particular these records document the exhibition, Red, Hot, and Blue: A Salute to American Musicals. Aspects of the exhibition documented include the development of an accompanying CD-ROM and CD music compilation …
Outgoing Loan Files
This accession consists of records documenting outgoing loans of works of art. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, certificates of insurance, insurance register transaction forms, images of objects, facilities reports, condition photographs, and related materials.
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.