Photographs from an album which documents 19th century built environments in Africa and Brazil including buildings, cities, docks and ships. The African photographs document Cape Town, South Africa, the docks and the Parliament; Dakar, Senegal, including the harbor and street scenes; and Libreville, Gabon, including government buildings and ships in Rio de Janeiro. Images of Brazil show government buildings and ships in Rio de Janeiro.
Fifty photographs taken by J.E. Mittlebrook and published by D'Urban and Kimberley in 1898 in an album entitled, South African Souvenir.
The photographs are cityscapes and landscapes taken by Burton E. Ashley in Egypt, South Africa, Tanzania, and Zambia during the early 1930s and early 1950s. The images include views of Cape Town, South Africa; Cairo, Egypt; Port Said, Egypt, and Mozambique. Architecture depicted includes buildings in Tanzania, a mission in Zambia and the Mohammed Ali Mosque in Cairo. Additionally, there are images of the Kalahari Desert in Botswana and rivers and waterfalls including the Luangwa, Nile, Zambezi and Victoria Falls. The collection also includes photos of animals, geological features and vegetation.
The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.
Photographs by Captain Alfred Friendly depicting rock paintings, people, cities, Kariba Dam, and scenery in Africa. Friendly made the photographs in Nairobi National Park, Nyeri, Kenya; Uganda; Lake Albert; Lake Kivu; Lake McIlwaine (now Lake Chivero); Nswatugi Cave and Silozwane Cave in Matopos National Park, Zimbabwe; Cape Town and Johannesburg, ...
Series 1 is comprised of photos taken by Dr. Henry Drewal while traveling in Morocco from May 29, 1997 to June 21, 1997. The series includes images taken in Casablanca, Rabat, Salé, Fès al Bali, Meknès, Sijilmassa, Rissani, Marrakech, and Essaouira. Subjects include architecture, market scenes, craftsmen and artisans at work, musicians, landscapes ...
The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.
Photographs taken by Victoria Scott from 1969 to 1979 in Nigeria to document Nigerian art, in particular works at the Oshogbo school, while teaching and working as a visual artist at the Jebba Technical College. Photographs are of artists and their works. Scott used the images in her courses on Nigerian art at the college. The photographs document drawings, graphic prints, paintings and textiles of the Oshogbo school of artists. There are photographic reproductions of the following works: Elephant by Nike; Elmina Castle by Kwe Ade Odus; Free Yourself and See Yourself by Twins Seven-Seven; Mamiwata VoyiboII by Bruce Onobrakpeya; Obatala and his Wife by Joseph Olu-Billy; Ogun, God of Iron by Sam Babarinsa; Reindeer by Jimoh Buraimoh; The Secret Life of the Twins of Nigeria by Asiru Olatunde; and Yam Festival Masquerade by Adebisi Fabunmui. Also included within the collection are images of artists at work and the town in which they live. People portrayed include artist Adebisi Fabunmi; a blacksmith at work in Kaduna, Nigeria; and potters in Gahana. Images of the towns include a market in Abeokuta, Nigeria; a Portuguese fort in Cape Coast, Ghana and an Osun (deity) shrine in Oshogbo.
The majority of the photographs were taken in Cape Coast. Some the images were taken in Elmina. Several images depict chiefs, including a chief of Elmina, in their regalia and with their entourages. Other images depict Fante peoples in studio settings. Their attire and coiffures are of great relevance for art historical study. Also included in the album are images of the architecture of Cape Coast and Elmina.
The collection is comprised of two photographic albums containing 272 black and white postcards that depict scenes in Ghana, Eritrea, and Ethopia. Many of the images depict Hausa people, town scenes, including churches, schools, and courts. Specific locations include Elmina Castle, Asmara, Cape Coast, Accra, Kumasi, Abaadsi Castle, Christiansborg ...