Letters to Beatrice Lippincott (Garvan) from Lyonel and Julia Feininger
A letter from Julia Feininger, 1951 Sept. 17, and one from Lyonel Feininger, 1952 Apr. 29 (illustrated with a woodcut), discussing the history of the Feininger painting, "The Cathedral," in response to queries from the purchaser, Beatrice Lippincott (later Beatrice Garvan). Enclosed in the 1951 letter is a photograph of the painting, with a short …
Fred Werner collection of Lyonel Feininger sketches
Eight sketches by Feininger for "A Ship of 49" and "Dante's Inferno." Also filmed is a letter from Werner to Dr. Ernst Scheyer discussing the sketches. This letter and another from Werner to Scheyer are in the Ernst Scheyer papers.
H. Francis Kortheuer collection of Lyonel Feininger letters, sketches, and clippings
Feininger, Lyonel, 1871-1956
Letters and postcards, many illustrated, from Lyonel Feininger to his good friend H. Francis Kortheuer, and a scrapbook kept by Kortheuer containing Feininger letters, drawings, photographs, and clippings of published cartoons from assorted German publications.
Alfred Vance Churchill papers regarding Lyonel Feininger
This small collection of Alfred Vance Churchill papers regarding Lyonel Feininger measures 0.9 linear feet and dates from 1888 to 1944. Found here are 36 letters from Feininger, a painter and illustrator, to his friend Churchill and a scrapbook compiled by Churchill containing 117 sketches by Feininger, a photograph of Feininger, clippings, and 47 sketches and reproductions by Churchill. There are also additional loose clippings, an exhibition catalog, and three photographs of Feininger.
Lyonel Feininger letter
Letter to Alfred Neumeyer informing him that he (Feininger) has received a commission to paint a mural for the New York World's Fair; that his son, Lux Feininger, has received a mural commission for a Long Island hotel; and asking Neumeyer if he has received the watercolors sent to him …
Joseph W. Keppler, Jr. collection of negatives and photographs
Museum of the American Indian, Heye Foundation
Fly, C. S. (Camillus Sidney), 1849-1901
129 Negatives (photographic) (black and white)
Images depict the Seneca Iroquois Indians on the Cattaraugus Reservation in New York.
Oral history interview with Fritz Eichenberg
Phillips, Harlan B. (Harlan Buddington), 1920-
New Deal and the Arts Oral History Project
An interview of Fritz Eichenberg conducted by Harlan Phillips on 1964 December 3 for the Archives of American Art's New Deal and the Arts Oral History Project.
Susan Conway Gallery records
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.
Robert Hughes papers
The papers of art critic, author, and historian, Robert Hughes measure 16.6 linear feet and date from 1952 to 2012. The collection provides a glimpse of Hughes' personal life and documents his extensive career through biographical material, personal and professional correspondence, interviews, journals, writings, project files related to books and television programs, research files, personal business records, printed material, and photographic material.
Marta Adams Papers
The papers of sculptor, painter, and writer Marta Adams measure 4.2 linear feet, and date from circa 1914 to circa 1991. In 1935, Adams made her first visit to Mexico, and began spending more time there than in the United States. There, she met Diego Rivera who stimulated her interest in oil painting. In 1952 she moved to Mexico permanently. Found within are biographical materials, correspondence, writings and notes, legal and estate papers, printed materials, photographic material, one mixed-media scrapbook, and artwork, including three portfolios of lithographs, 30 Grabados de Galo Galecio,1946, containing 30 engraving prints by Galecio and Estampas de la Revolucion Mexicana, 1947, containing 85 engraving prints by 16 artists of the Taller de Gracia Popular, and Drawings: Seymour Swetzoff, 1949.