The papers of ceramicist and educator Laura Andreson measure 1.9 linear feet and date from 1932 to 1991. The collection is comprised of correspondence, professional files, gallery records, writings and notes, artwork, and photographic materials that document her pioneering work in ceramics.
The papers of California ceramicist and educator Marguerite Wildenhain measure 3.3 linear feet and date from 1930 to 1982. Found within the papers are biographical sketches; correspondence with patrons, students, and colleagues, including Eugene Anderson, T. S. Eliot, and Gerhard Marcks; writings by Wildenhain and others; designs for pottery and other artwork; one scrapbook; news clippings, exhibition catalogs, and scattered printed material. Also found are photographs of Marguerite and Frans Wildenhain, Pond Farm, workshops, exhibitions,and artwork, as well as two film reels depicting Wildenhain lecturing and in her studio.
The papers of California artist, curator, and educator Bruria Finkel measure 12.1 linear feet and date from 1953 to 2014. This collection includes biographical materials, correspondence, writings, project files, professional records, exhibition files, artists' files, personal business records, printed materials, photographic materials, sound and video cassettes, and numerous electronic discs.
The papers of ceramicist Glen Lukens measure 1.6 linear feet and date from 1920 to 1983. The bulk of the papers consist of letters from Lukens to family members, and other correspondence with family, friends, and colleagues. Notably, letters describe Lukens' time working in Haiti to establish a ceramic industry, his views on United States involvement in World War II, and the Watts Riots in Los Angeles in 1965. Also found are biographical materials, scattered writings and notes on ceramics and other subjects, printed materials, and photographs.
The papers of California ceramicist Beatrice Wood measure 26.6 linear feet and date from 1906 to 1998, with the bulk dating from 1930-1990. There is extensive correspondence with gallery owners, fellow artists, clients, friends, and family. The collection also contains biograpical materials, personal business records, writings, printed materials, photographs, and works of art. Of particular interest are the 28 diaries that Wood maintained from 1916 until her death in 1998 and 42 glazing formula notebooks dating from 1934-1997. Also found are documents of Steven Hoag and Esther Rosencranz, her husband and aunt respectively, that consist of correspondence, business records, and photographs given to the Archives of American Art as part of the Beatrice Wood papers.
The papers of ceramicist, sculptor, and educator Frans Wildenhain measure 8.2 linear feet and date from circa 1890 to 1991. The papers document his career in Europe and the United States through biographical material, correspondence, diaries and notebooks, writings and notes, subject files, project files, printed material, three mixed media scrapbooks, artwork and sketchbooks, and photographic materials.
The papers of ceramicist David Shaner measure 2.8 linear feet and date from 1937-2007, with the bulk of the material from 1968-1998. Shaner's career as a ceramicist in Big Fork, Montana, is documented through scattered correspondence, subject files, studio working files, writings and notes by Shaner and others, exhibition catalogs and other printed material, and photographs.
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
The papers of enamelist and sculptor, Fred Uhl Ball, measure 1.0 linear feet and date from 1936 to 2002. The collection provides scattered documentation of Ball's career through biographical material, family photographs, photographs of artwork, and printed material. The collection also includes a small group of papers concerning Ball's father, ceramicist F. Carlton Ball, his mother, illustrator and enamelist Kathryn Uhl Ball, and his grandfather, silversmith George Uhl.
The collection documents the career of painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.