The papers of ceramicist Michael Simon (1947-2021) measure 3.9 linear feet and date from circa 1982-2011. Included is printed material relating to Simon consisting of publications, articles and copies of articles; personal and professional correspondence with colleagues and galleries; letters from Warren MacKenzie; a DVD of "Warren MacKenzie: A Pot...

28 letters (one written on an exhibition announcement) and 5 postcards to Meyers from Wildenhain, sent from Wildenhain's home in Pittsford, N.Y. and while traveling in Florida, Mexico, and Europe. The letters describe his travels and daily activities.

An interview of Michael Simon conducted 2005 September 27-28, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Colbert, Georgia.

A digital audio recording of an interview with ceramicist Michael Simon conducted February 23, 2018 by ceramics dealer Leslie Ferrin and Lyndel King, director and chief curator of the Weisman Art Museum, University of Minnesota at Simon's studio in Athens, Georgia. Also present is Simon's wife, Susan Roberts. They talk about Simon's pots and the de...

The Andy Nasisse files relating to self-taught artists measure 0.8 linear feet and date from 1979 to 1986, with additional undated materials. Included are artist files on twenty-five self-taught artists. Files consist primarily of black and white photographs of artists, their artworks, and photographs of unidentified artworks. Also included is a letter discussing artist Howard Finster's first dealer, Jeffrey Camp, and in which Nasisse offers his advice to Finster to limit production of his work. An audio recording of an interview with Miles Carpenter conducted by Nasisse, and a documentary about J. B. Murray, A Video Documentary of an Artist and His Work, are also present in these files. The documentary features many of Murray's paintings and drawings, as well as his comments on his art and visions. The artists included in the files are Eldren M. (E. M.) Bailey, Miles Carpenter, Tessie Carroll, Emanuel "Litto" Damonte, Samuel Perry (S.P.) Dinsmoor, Sam Doyle, John Ehn, Howard Finster, Laura Pope Forrester, Dilmus Hall, Irene Hall, Bessie Harvey, St. EOM (Eddie Owens Martin), Jeff McKissack, John Milkovitch, J. B. Murray, Grandma Tressa Prisbrey, Dow Pugh, W.T. Ratcliffe (or Ratliff), William Carlton Rice (Mr. Rice), Royal Robertson, James "Son Ford" Thomas, Mose Tolliver, Frank van Zant (Chief Rolling Mountain Thunder), and Brother Joseph Zoetl.

The papers of New York painter and ceramicist Florence Weinstein measure 0.2 linear feet and date from 1929 to 1983. The collection provides scattered documentation of Weinstein's career through records including correspondence, biographical notes, printed materials, photographs of Weinstein and her work, and a drawing by Sylvie Weinstein.

The papers of ceramicist and educator Hobart E. Cowles measure 2.5 linear feet and date from 1924-1980. The collection sheds light on Cowles's career through personal papers, writings and notebooks, professional files, printed material, photographs, artwork, and one video recording.

The papers of New Jersey-based ceramicist Toshiko Takaezu measure 24.4 linear feet and 12.65 gigabytes and date from circa 1925 to circa 2010. The papers document Takaezu's career as an educator and ceramicist in Hawaii and Quakertown, New Jersey, through biographical material, correspondence, interviews, documentaries, artist files, organization files, personal business records, studio practice files, printed material, and photographic material.

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

The papers of ceramicist Robert Sperry measure 13.6 linear feet and 0.907 GB and date from 1951-2002. The collection documents Sperry's career as an artist, teacher, and filmmaker through biographical information, correspondence, exhibition files, gallery files, material on projects and workshops, writings, a scrapbook, financial files, printed and digital material, photographs, moving image materials, and artwork.