Oral history interview with John Chamberlain
Clearwater, Bonnie, 1957-
An interview of John Chamberlain conducted 1991 January 29-30, by Bonnie Clearwater, for the Archives of American Art.
Ultra Violet papers
Ca. 200 personal letters and notes to Ultra Violet from John Graham, Ray Johnson, and John Chamberlain; a few photographs of Graham and Johnson; a few sketches by each of the three artists; and miscellaneous clippings, magazine articles, and exhibition announcements.
Miscellaneous papers relating to Franz Kline
A painting by John Chamberlain inscribed on the verso: "To Franz Kline, Christmas '57, John Chamberlain"; and typescripts of a poem and essay matted together, presumably for Kline. The poem is entitled, "Some Changes" and is signed Max. The essay is entitled, "Captain America" and signed Fee. Max is probably poet …
Oral history interview with Peter Agostini
Roberts, Colette, 1910-
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Billy Al Bengston papers
The papers of southern California Pop artist Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs.
Alan R. Solomon papers
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
Zabriskie Gallery records
The Zabriskie Gallery records measure 110.5 linear feet and date from 1905 to 2011. The records document the history of the Zabriskie Gallery through leases, permits, floor plans, and other administrative files; guestbooks; appointment books, notebooks, and other desk diaries; correspondence from New York and Paris galleries, museums, clients, and other correspondence; appraisals, inventories, consigments, and other registrar files; artist files consisting of resumes, correspondence, exhibition material, and photographs of artwork; institution files consisting of correspondence, consignments,and artwork inquiries with museums, galleries, and corporations; exhibition files consisting of loan agreements, press releases, and correspondence related to exhibitions shown at the gallery; invoices, price lists, and other financial records; clippings, press packets, newsletters, and other printed material; photographs, slides, and transparencies of exhibitions and artists works; and correspondence, photographs, awards, and other personal records of Virginia Zabriskie.
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Moses and Frances Asch Collection
Distler, Marian, 1919-1964
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.