30 records — Page 1 of 3
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Creators:
Caldwell & Company.
Dates:
1894-[circa 1944]
Size:
56,000 Photographs (Black and white photographs in albums)
Collection ID:
SIL-CH.1995-79-1
Repository:
Smithsonian Libraries

This collection spans the years 1894-circa 1944 and contains approximately 56,000 black and white photographs. The photographs are mounted in 148 large (22"x18") and 93 small (12"x14") albums. About 5,000 are mounted individually. The images depict the full repertoire of Caldwell products. Since all of Caldwell's designs were custom made for each project, these photographs were used to illustrate all of the many designs for lighting they produced.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1823-1947
Size:
2.31 Cubic feet (consisting of 4.5 boxes, 1 folder, 4 oversize folders, 1 map case folder, 1 flat box (partial). )
Collection ID:
NMAH.AC.0060.S01.01.Silver
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1833-1943
Size:
2.9 Cubic feet (consisting of 5 boxes, 1 folder, 5 oversize folders, 2 map case folders, 2 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Lighting
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lighting forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Renwick Gallery
Dates:
1994-2001
Size:
1.43 cu. ft. (1 record storage box) (1 12x17 box)
Collection ID:
Accession 10-127
Repository:
Smithsonian Institution Archives

This accession consists of repair and renovation records related to the renovation of the Grand Salon at the Renwick Gallery in 2000. Materials include correspondence, memoranda, object lists, meeting minutes, floor plans, building inspection reports, specifications, construction schedules, and architectural drawings.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1975-1984
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 85-212
Repository:
Smithsonian Institution Archives

This accession consists of memoranda, blueprints, drawings, specifications, and correspondence. Museums and facilities documented in this collection include the National Museum of American History, the Cooper-Hewitt Museum, the Silver Hill Facility, the Barney Studio House, the Chesapeake Bay Center for Environmental Studies (now the Smithsoni...

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Creators:
National Museum of American History. Division of Political History
Dates:
circa 1946-1982
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 95-090
Repository:
Smithsonian Institution Archives

This accession consists of the records of Margaret Brown Klapthor, former Scientific Aide in the Civil Section of the Division of History, United States National Museum (USNM), 1944-1946; Assistant Curator of the Section of Civil History, in the Division of History, USNM, 1947-1948; Assistant Curator, 1949-1953, and Associate Curator, 1954-195...

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Creators:
Aga-Oglu, Mehmet, 1896-1949
Dates:
circa 1877-1947
Size:
7.8 Cubic feet (consisting of 12 boxes and 9 oversized flat file folders.)
Collection ID:
FSA.A.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Mehmet Aga-Oglu Papers, dating from approximately 1877-1947, measure 7.8 cubic feet and include writings and notes, photographs, and maps related to Dr. Aga-Oglu's work Corpus of Islamic Work, which was never published due to Dr. Aga-Oglu's death in 1949.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1973, 1977-1982
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 84-081
Repository:
Smithsonian Institution Archives

This accession consists of project files, including memoranda, blueprints, specifications, and correspondence. Museums and facilities documented include the Smithsonian Institution Building (Castle), the Silver Hill Facility (Museum Support Center), the Cooper-Hewitt Museum, the Smithsonian Astrophysical Observatory, the Smithsonian Environmen...

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Creators:
Renwick Gallery
Dates:
1970-1983
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 16-149
Repository:
Smithsonian Institution Archives

This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples. Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. I...

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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30 records — Page 1 of 3