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- Creators:
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Kraushaar Galleries
- Dates:
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1877-2006
- Size:
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91.9 Linear feet
0.181 Gigabytes
- Collection ID:
- AAA.kraugall
- Repository:
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Archives of American Art
The records of New York City Kraushaar Galleries measure 91.9 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.
Found In
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- Creators:
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Library of Congress
- Dates:
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circa 1890-1945
- Size:
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183.5 Cubic feet ((58 solander boxes))
- Collection ID:
- SAAM.Photo.LOC
- Repository:
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Smithsonian American Art Museum, Research and Scholars Center
The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.
Found In
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1928-1994
- Size:
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320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
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Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Found In
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- Creators:
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Smithsonian American Art Museum. Curatorial Office
- Dates:
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1966-2017
- Size:
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12 cu. ft. (12 record storage boxes)
- Collection ID:
- Accession 19-136
- Repository:
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Smithsonian Institution Archives
This accession consists of records documenting declined artwork offered by artists, private collectors, dealers, art galleries, foundations, corporations, and through estates and loans to the Smithsonian American Art Museum. Earlier records date back to when the museum was known as the National Museum of American Art and the National Collectio...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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October 4-9, 1978
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1978
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Dawson, Elmer Yale, 1918-1966
- Dates:
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1934-1966
- Size:
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10 cu. ft. (20 document boxes)
- Collection ID:
- Record Unit 7097
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
Found In
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- Creators:
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Smith, C. Earle (Claude Earle), 1922-1987
- Dates:
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1942-1998
bulk 1960-1987
- Size:
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7.72 Linear feet (20 document boxes and 1 restricted box)
- Collection ID:
- NAA.2006-24
- Repository:
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National Anthropological Archives
C. Earle Smith Jr. (1922-1987) was one of the founders of the modern field of paleobotany. This collection documents his research and professional activities through correspondence, research notes, data, manuscripts, publications, and photographs. Represented in the collection is his fieldwork in Mexico, Peru, Venezuela, and Costa Rica.
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1860-1945
- Size:
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4.13 Cubic feet (consisting of 9 boxes, 1 folder, 3 oversize folders, plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Jewelry
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Jewelry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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1964-1994, undated
- Size:
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72 Boxes
- Collection ID:
- NMAH.AC.0618.S05
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
More … - Dates:
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1931-1971
- Size:
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320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.02
- Repository:
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Archives Center, National Museum of American History
The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...