The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
The collection consists of photographs and printed materials (almost exclusively in German), documenting the relief efforts of the American Relief Administration (A.R.A.), European Children's Fund (E.C.F.) (Mission to Austria), 1920-1921, to feed malnourished children in Europe in the post-World War I era. The photographs, publications and charts in this collection specifically relate to children in Vienna and other Austrian cities.
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
The Austin Merrill Mecklem and Marianne Greer Appel papers measure 1.4 linear feet and 0.035 GB and date from 1910-2006, with the bulk of the materials dating from 1928-1977. Correspondence, writings, drawings, printed and digital material, miscellaneous items and photographs document Mecklem as an artist, muralist and art instructor and Appel as an artist, puppet designer and author and illustrator of children's books. A significant part of Appel's papers consists of drafts of two illustrated children's books.
This accession consists of papers of Joseph H. Hirshhorn. Joseph Hirshhorn was born in Latvia in 1899 and immigrated to the United States in 1905 with his mother and siblings. At twelve, Mr. Hirshhorn left school to sell newspapers and by fourteen he was working in the firm that would later become the American Stock Exchange. At seventeen, ...
The papers of sculptor and painter Mary Frank measure 4.2 linear feet and date from 1884-2017. Included are correspondence, writings, photographs, artwork and printed material documenting Frank's career. Correspondence is both personal and professional. Writings include dreams recounted in detail, poems, and ideas for works of art, some illustrated. Black and white photographs are of Frank, her sculptures, friends and family, and source material. Artwork includes drawings and sketches in dry point, pencil and watercolor. Printed material includes exhibition catalogs, announcements, brochures and clippings.
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
The papers of craftsman and administrator George Fedoroff measure 2.0 linear feet and date from 1939-1980. Found are biographical materials, correspondence, writings and notes, professional files, printed materials, and photographs. Many of the documents concern Fedoroff's work with the United States Department of the Interior, Bureau of Indian Affairs.
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.