41 records — Page 1 of 5
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Creators:
ANONYMOUS
Graham, David Crockett
Dates:
undated
Size:
20 Items (pieces , 15.8x9.7 cm)
Collection ID:
NAA.MS7596
Repository:
National Anthropological Archives

The Chinese term jingyi (literally, clothing blessed by the Buddhist scripture) refers also to the paper money made for the dead. It is a rectangular piece of paper with the design of incised strings of coins in the center. It is burned so that the dead will receive holdy blessings and have money for use in the netherworld.

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Creators:
ANONYMOUS
Thayer, A.T.
Dates:
undated
Size:
2 Items (pieces , 20x8.2 cm)
Collection ID:
NAA.MS7597
Repository:
National Anthropological Archives

The Chinese term jingyi (literally, clothing blessed by the Buddhist scripture) refers also to the paper money made for the dead. It is a rectangular piece of paper with the design of incised strings of coins in the center. It is burned so that the dead will receive holdy blessings and have money for use in the netherworld.

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Creators:
ANONYMOUS
Dates:
undated
Size:
13 Items (pieces , 6x6.5 cm)
Collection ID:
NAA.MS7598
Repository:
National Anthropological Archives

Yinzhi (literally silver money--the paper money with silver stamp) is used for mortuary ritual as well as ancestor worship ceremonies. It is burned to make it available to the deceased in the netherworld.

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Creators:
Graham, David Crockett
Dates:
1923-1936
Size:
3.64 cu. ft. (3 document boxes) (2 3x5 boxes) (5 5x8 boxes) (2 microfilm reels)
Collection ID:
Record Unit 7148
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The materials in the David Crockett Graham Papers (Record Unit 7148) were sent to Alexander Wetmore, Director of the United States National Museum (USNM), between 1925 and 1935 by Graham. Wetmore deposited them in the Division of E...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1985
Size:
26 Boxes
Collection ID:
NMAH.AC.0300.S13
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 13, Agriculture, Business, and Law contains approximately 3,300 pieces of sheet music and other materials documenting the development of and popular attitudes towards business, commerce, farming and food, finances, labor, law, and social order in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Fishback, Glen Curtis, 1912-1976
Glen Fishback School of Photography.
White, Judy
Ansco.
More …
Dates:
1930-1976
Size:
27 Cubic feet (101 boxes, 6 map-folders)
Collection ID:
NMAH.AC.0714
Repository:
Archives Center, National Museum of American History

Original photographic negatives, prints (black-and-white and color), and color slides and transparencies by Fishback, reflecting his career in advertising, calendar, and editorial photography; drafts of articles and correspondence by Fishback (typescripts), and incoming correspondence; copies of publications, such as magazines and annual reports, w...

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Creators:
National Museum of American History. Office of Curatorial Affairs
Dates:
1994-2011
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 13-194
Repository:
Smithsonian Institution Archives

This accession consists of records which document the oversight and review process at the National Museum of American History (NMAH) in regards to exhibitions, public programs, symposia, websites, productions, and performances. In particular, the activities of the Exhibitions and Program Committee (EPC) which was created in 1996. The EPC ...

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Johnson, Ellen H.
Dates:
1872-2018
bulk 1921-1992
Size:
60.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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Creators:
Archives of American Art
Dates:
1954-1985, with related records from 1917
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Record Unit 401
Repository:
Smithsonian Institution Archives

This record unit consists of the correspondence of Edgar P. Richardson, Director, 1954-1964; his successor, William E. Woolfenden, 1964-1983; Richard N. Murray, 1983- , and other staff members; minutes and records of the Board of Trustees; manuscripts, correspondence, and other records of the Archives of American Art Journal; and the files ...

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41 records — Page 1 of 5