Black-and-white negatives, black-and-white prints, and color transparencies, mostly created for specific book projects, articles in Antiques magazine, etc. Generally, color was used for magazine articles, while black-and-white images were intended for books. Collection also includes photographs of personal or family significance, and some early art...

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

The papers of art educator and administrator Michael P. Church measure 0.6 linear feet and date from 1934 to 1984. The collection includes biographical material, letters, notes and writings, printed material, and photographs.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Churches forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.

The National Museum Building Construction Records, 1894 - 1919 (bulk 1903 - 1911), document the process and methods used to construct the National Museum Building that is now known as the National Museum of Natural History. These records primarily refer to the management of the construction aspects of the project, documenting specifications ...

This collection contains one framed map of Abyssinia circa 1784, measuring 25.5 x 21.5 inches, by cartographer and engraver Emanuel Bowen, and three 8 x 10 inch photographs depicting Ethiopian artist Afewerk Tekle (1971), Patriarch 'Abuna Tewoflos (1964) and Emperor Haile Selassie I (1967) respectively. Each photograph bears the signature of its subject. The photograph of 'Abuna Tewoflos was taken by Selassie's court photographer, Torkam "Tony" Boyadjian. Selassie's portrait is an official presentation photograph, with a green leather frame adorned with the emperor's coat of arms in gold, signed and dated by Selassie.

This accession consists of records that document research for the major permanent exhibition in the museum, After the Revolution: Everyday Life in America, 1780-1800, which opened in 1985. Included are scripts; contracted research reports by non-museum historians; graphics files for logos and stationery; public relations and educational t...

The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.

The Robert M. Fletcher Collection contains 268 35mm color slides documenting Southern California gardens designed by landscape architect Robert M. Fletcher.