The papers of Ohio painter, lithographer, and educator Henry G. Keller date from circa 1880-1962 and measure 1.3 linear feet. Found are biographical materials, professional and personal correspondence, writings and notes, personal business records, printed material, photographs, and artworks and artifacts.
The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.
The papers of Mildred Constantine measure 5.3 linear feet and are dated 1945-2009. Subject files, writings, photographs, and a scrapbook provide an overview of her curatorial work in the Architecture and Design department of the Museum of Modern Art, and subsequent activities as an independent curator, and art consultant. Especially well documented is Whole Cloth, a book written with Laurel Reuter that presents an historical overview of how artists have used cloth in their work.
This accession primarily includes records documenting the exhibition The Afro-American Tradition in the Decorative Arts, which was organized by the Cleveland Museum of Art and staged by Richard E. Ahlborn, Curator in the Division of Community Life, at the National Museum of History and Technology. Materials include the correspondence, mem...
Informal photographic portraits depicting Iroquois, Seminole, and other American Indians. Images document the preparation of fry bread, a lacrosse player, a corn-husk doll maker, an Iroquois dancer, a longhouse wedding party, a Seneca wood carver making a water drum, a Seneca basketmaker, and a Seneca flute maker.
The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.
The papers of A.G. (Abel George) Warshawsky date from circa 1900 to 1988 and measure 3.8 linear feet. the papers contain biographical materials; scattered correspondence, most of which consists of letters from Warshawsky to his wife Ruth; writings, including versions of Warshawsky's autobiography; printed materials; two scrapbooks; photographs and eight photo albums; twenty-six sketchbooks; and artworks by Warshawsky and others.
This accessions consists of records documenting correspondence between Milo Cleveland Beach, Director, and prominent friends of the Freer Gallery of Art and Arthur M. Sackler Gallery. Materials include correspondence and enclosures.
This accession consists of records created and maintained by Milo Cleveland Beach, Director, documenting relations between the Freer Gallery of Art and Arthur M. Sackler Gallery and foreign countries. Materials include correspondence and enclosures.
The James Stillman letters relating to Homer Dodge Martin measures 0.2 linear feet and consists of 28 letters and 2 pencil sketches dating from 1882-1898. Primarily from late-19th century painter Homer Dodge Martin and his wife, Elizabeth, to art patron and banker, James Stillman, the letters discuss consignment, exhibition and sale of Martin's artwork, his experiences painting while living in France, his financial struggles, and his physical and mental condition. Two pencil sketches by Martin are accompanied by a note dated 1884. Also found are 2 letters from Martin to Mr. Van Loon discussing payment for paintings and 2 letters to Stillman from Bancel La Farge concerning Stillman's purchase of a La Farge watercolor.