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- Dates:
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1980-2003
- Size:
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3 cu. ft. (3 record storage boxes)
- Collection ID:
- Accession 20-129
- Repository:
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Smithsonian Institution Archives
This accession consists of records that document exhibitions at the National Museum of American History. The materials primarily consist of audiovisual materials created for use in exhibitions. Exhibitions documented include: The Clockwork Universe: German Clocks and Automata, 1550-1650; Science in American Life; Between a Rock and a Hard...
Found In
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- Creators:
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National Museum of American History. Division of Engineering and Industry
- Dates:
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circa 1948-1988
- Size:
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18.81 cu. ft. (18 record storage boxes) (1 12x17 box) (1 film box)
- Collection ID:
- Record Unit 397
- Repository:
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Smithsonian Institution Archives
These records consist of correspondence and memoranda pertaining to horology, exhibit proposals, manufacturers of engineering equipment, models, collections management, minutes of meetings, acquisitions, and installation of exhibits. Also included are blueprints for the Hall of Heavy Machinery; exhibit scripts from Power and the Early Ste...
Found In
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- Dates:
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1915-1981, 2002-2003, 2007-2008
- Size:
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2.28 cu. ft. (2 record storage boxes) (2 oversize folders)
- Collection ID:
- Accession 20-133
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document planning, development and production activities for the exhibitions The Coke Push: A Centennial Portfolio of Industrial Art, Abandoned Mine Scenes, Lead and Zinc Mine Scenes of the Past, Labor Day, The United States Census, 1790-1960, The Changing American Farm, 1831-1981, The Clockwork Uni...
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- Dates:
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1967-1987, 1991-1992
- Size:
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4 cu. ft. (4 record storage boxes)
- Collection ID:
- Accession 01-203
- Repository:
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Smithsonian Institution Archives
This accession consists of records created and maintained by Karen Loveland, Director of Special Projects for the Office of Telecommunications, documenting the planning, development, and execution of film, video, and television productions for general release, for accompaniment to exhibitions and exhibition halls, for training, and for televis...