James J. Rorimer papers
The papers of curator and museum director James J. Rorimer measure 2.3 linear feet and date from 1921 to 1982, with the bulk from 1943-1950. The papers include documentation of James J. Rorimer's World War II service in the Monuments, Fine Art and Archives Section of the U.S. Army and his activities protecting historic and cultural sites from bombing, and locating and recovering art work and cultural icons stolen by the Nazis. Found within the papers are scattered biographical materials and correspondence, writings include draft versions of Rorimer's book Safe-Keeping or Survival: The Salvage and Protection of Art in War, financial records, photographic materials including a photo album containing photographs of European art work and cultural sites where Rorimer worked, newsclippings and additional printed materials, and one scrapbook of clippings dating from World War II.
George Grey Barnard selected papers
The microfilmed George Grey Barnard selected papers include correspondence with dealers, museums, John D. Rockefeller, and others; a few exhibition files; letters from Theodore Roosevelt; files on Barnard's Lincoln sculpture and Rainbow Arch; and drawings and sketches. Files selected for microfilming in the correspondence subseries A, correspondence with individuals, include …
George Grey Barnard papers
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 12 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
These records document the Conservation Analytical Laboratory's (CAL) work with Smithsonian Institution curators and collections during the tenures of John H. Olin, Robert M. Organ, Jacqueline S. Olin, and Eleanor McMillan. They also document the Laboratory's extensive training programs and its wide contacts with other museums, both in the United …
Paul N. Perrot Oral History Interviews
The Oral History Program is part of the Smithsonian Institution Archives. The purpose of the program is to conduct interviews with current and retired members of the Smithsonian staff who have made significant contributions, administrative and scholarly, to the Institution. The project's goal is to supplement the published record and …
Incoming Loan Files
This accession consists of records documenting incoming loans for exhibitions at the National Museum of American History. Materials include correspondence, memoranda, and notes; loan agreements and contracts; condition reports; object disposition forms and lists; exhibition installation and design information, brochures, and scripts; damage loss reports; meeting agendas and minutes; lender …
These records consist of public inquiries about scientific instruments; layout plans, scripts, and photographs for exhibitions; proposals for the Hall of Physics, Mathematics, and Astronomy in MHT; general correspondence with domestic and foreign science museums, universities, manufacturers and collectors of scientific instruments, and professional societies; administrative files consisting of annual …
Mergenthaler Linotype Company Records
These records document primarily the history of typeface development at the Mergenthaler Linotype Company of Baltimore, Maryland. The company supplied most of the typesetting machines used in the printing industry, both in America and worldwide. As changing technology ended the usefulness of the linotype machine the company pioneered new computer-driven, photo typesetting machines.
This accession consists of master cassette audiotapes of educational programs and meetings presented by the various program offices within the Smithsonian Associates.
These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In …