Warrington W. Colescott papers
Correspondence; personal documents; biographical information; a list of Colescott's prints; a list of exhibitions of his work; a list of collections which include his works; essays and lectures; 42 personal photographs and photographs of works; exhibition catalogs and announcements; press releases and clippings; and a scrapbook containing clippings and catalogs, and …
Interviews of Helen Boyer and Warrington Colescott
Boyer, Helen King, 1919-
2 Sound cassettes (Boyer)
2 Sound cassettes (Colescott)
Interviews conducted by Helena E. Wright of Helen Boyer and Warrington Colescott for research related to her position as curator in the division of Graphic Arts in the Department of Social and Cultural History at the National Museum of American History, Smithsonian Institution.
Raymond Gloeckler papers
The papers of Wisconsin printmaker and educator Raymond Gloeckler measure 1.4 linear feet and date from 1952 to 2008. Gloeckler's career is documented through biographical material, correspondence with galleries and art organizations, exhibition and commission files, printed material, and artwork.
John Wilde papers
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.