Query: Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Art Changes Things: the Art and Activism of Georgette Seabrooke Powell Exhibition Records
Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1995-03-04 - 1995-05-28
Size:
2.42 Linear feet (3 boxes, 1 binder)
Collection ID:
ACMA.03-007
Repository:
Anacostia Community Museum Archives

An exhibition on selected works created by Georgette Seabrooke Powell. The show was curated by Michelle Black Smith, and exhibited at the Anacostia Museum of the Smithsonian Institution from March 4, 1995 to May 28, 1995. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, education packets, floor plans, audiovisual materials and catalogues.

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in ACMA.03-007 for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Scurlock Studio Records, Series 12: Background Materials and Publications
Creators:
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1902-1995, undated
Size:
18 Boxes
Collection ID:
NMAH.AC.0618.S12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 12 primarily includes historical and background information about the family and studio, reference materials relating to the photography trade, and information pertaining to publications and exhibitions that used Scurlock photographs. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S12 for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Paul Allen Reed papers
Creators:
Reed, Paul, 1919-2015
Dates:
1936-2008
Size:
1.5 Linear feet
0.774 Gigabytes
Collection ID:
AAA.reedpaul
Repository:
Archives of American Art

The Paul Allen Reed papers measure 1.5 linear feet and 0.774 GB and date from 1936 to 2008. The papers document Reed's career as a painter through correspondence with friends and colleagues; writings by Reed including lecture notes and teaching plans; professional files including binders with curriculum vitae and cataloged artwork, and sound, video, and born-digital recordings including interviews; printed material such as clippings, exhibition announcements, and catalogs; studies for paintings; and photographs of Reed and his artwork.

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in AAA.reedpaul for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Henri Gallery records
Creators:
Henri Gallery (Washington, D.C.)
Dates:
circa early 1900s
1940-1996
bulk 1957-1995
Size:
55.4 Linear feet
Collection ID:
AAA.henrgall
Repository:
Archives of American Art

The records of Henri Gallery, a Washington, D.C. gallery that showed painters from the Washington Color School and emerging artists, measure 55.4 linear feet and date from circa early 1900s, 1940 to 1996, with the bulk of the materials dating from 1957 to 1995. The gallery's relationship with artists and clients, exhibitions, sales, and other business is documented in alphabetical files containing a wide variety of materials, including correspondence, sales records, printed materials, photographs, slides, and motion picture film. Additional correspondence, newspaper clippings, 114 exhibition posters, scattered drawings, illustrated cards, and photographic materials are also found in the collection.

Digital Content Available

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in AAA.henrgall for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Audiovisual Records
Dates:
1995-2015
Size:
29 cu. ft. (27 record storage boxes) (4 document boxes)
Collection ID:
Accession 16-092
Repository:
Smithsonian Institution Archives

This accession consists of audio and visual recordings of Lemelson Center special events, exhibitions, symposia, and general activities used for broadcast. Major programs documented within this collection include "Nobel Voices: Celebrating 100 Years of the Nobel Prize;" "Lewis Latimer: Renaissance Man;" "Reinventing the Wheel: The Continuing Evolution of the Bicycle;" "Crossroads …

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in Accession 16-092 for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Curatorial Office
Dates:
1986-1995
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 01-109
Repository:
Smithsonian Institution Archives

This accession consists of materials that document the planning and execution of exhibitions at the National Museum of American Art. Records were created and maintained by Louise Reeves, Exhibitions Coordinator. Materials include checklists, loan files, installation photos, press kits, correspondence and memoranda, label text, catalog text, slides and photographs, floor …

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in Accession 01-109 for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Robert Warren Loberg papers
Creators:
Loberg, Robert Warren, 1927-1999
Dates:
1955-1976
Size:
0.2 Linear feet ((ca. 100 items))
Collection ID:
AAA.loberobe
Repository:
Archives of American Art

Biographical information and resume; correspondence with galleries and museums; clippings, 1955-1976; exhibition catalogs and announcements; photographs and slides of Loberg and his paintings.

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in AAA.loberobe for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Mary Swift papers
Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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in AAA.swiftmar for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Scurlock Studio Records, Series 2: Color Photographs
Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Digital Content Available

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in NMAH.AC.0618.S02 for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
Thomas Downing papers
Creators:
Downing, Thomas, 1928-1985
Dates:
circa 1946-1995
Size:
1.4 Linear feet
Collection ID:
AAA.downthom
Repository:
Archives of American Art

The papers of painter Thomas Downing measure 1.4 linear feet and date from circa 1946 to 1995. The papers document his career as an artist in Washington, D.C. and Provincetown, Massachusetts through biographical material, correspondence, writings, personal business records, printed material, photographic material and artwork.

Digital Content Available

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in AAA.downthom for Color of Abstraction (Exhibition) (1995: Washington, D.C.)
748 records — Page 1 of 75