The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
This accession consists of photographs of Smithsonian Institution Archives facilities, staff, volunteers, interns, and researchers.
Forty-five color photographic prints of African art objects taken by Elliot and Amy Lawrence, circa 1995.
This accession consists of correspondence of the Plant Conservation Unit. Materials include correspondence, manuscripts, newspaper clippings, annotated plant lists, and color photographs and slides.
This accession consists of photographs documenting award presentations, exhibition openings, receptions, staff members, and visitors at the Freer Gallery of Art and Arthur M. Sackler Gallery. Award presentations include the Freer Medal to Osvald Siren, 1956; Ernst Kuhnel, 1960; Tanaka Ichimatsu, 1973; Laurence Sickman, 1973; and Roman Ghi...
Photographs of Nomoli and Kissi Stones, circa 1981.
This accession consists of photographs, slides and negatives documenting Waldo L. Schmitt's life and career. Images include numerous portrait photographs of Schmitt and his colleagues, field work views and group photographs. Most of the images are unidentified. Materials include black-and-white photographs, negatives, and transparencies; ...
This accession consists of records that pertain to special events held at the Cooper-Hewitt, National Design Museum, including the 1995 and 1997 annual auctions. Materials include catalogs, invitations, and color photographs.
This accession consists of records documenting the planning, execution, and results of the workshop "Great Apes and Humans: An Ethical Frontier." Materials include correspondence, planning documents, prospectus, agenda, notes, and photographs.
This accession consists of black and white and color photographs, color transparencies, and black and white negatives maintained by Esin Atil, Associate Curator of Near Eastern Art, documenting visits from dignitaries and exhibition openings. Also included are photographs of Atil.