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- Creators:
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Discover Card.
- Dates:
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circa 1996-1997
- Size:
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3 Cubic feet
- Collection ID:
- NMAH.AC.0636
- Repository:
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Archives Center, National Museum of American History
Color snapshots of family groups, with contest entry forms; also, copy of CD-ROM used in exhibition.
Found In
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- Creators:
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Ferrario, Paola
- Dates:
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1989-1996
- Size:
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0.1 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0699
- Repository:
-
Archives Center, National Museum of American History
Two color prints of industrial subjects in Elgin, Texas, and Taylor, Texas, 1995-1996; and 35mm color slide copies of 20" x 24" color prints: 12 from "Texas Cotton Towns series, 1995-1996, and 10 from "Guatemalan Altars" series, 1989-1996.
Found In
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- Creators:
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Schiff, Thomas R.
- Dates:
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2002-2010
- Size:
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0.5 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.1338
- Repository:
-
Archives Center, National Museum of American History
Twenty color inkjet prints of panoramic photographs by Thomas R. Schiff, depicting American architecture, including interior and exterior views, and street scenes.
Found In
Annie Leibovitz Color Portrait of Ella Fitzgerald, [color photoprint]
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- Creators:
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American Express (New York)
Leibovitz, Annie, 1949-
- Dates:
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1988.
- Size:
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1 Item (1 folder, 15" x 12," in mat with Mylar overlay, 21-3/8" x 18-1/8")
- Collection ID:
- NMAH.AC.0588
- Repository:
-
Archives Center, National Museum of American History
Image shows Ella Fitzgerald in red dress and hat with fur (designed by Don Loper), posed with a Mercedez-Benz automobile. The picture was created for an American Express Card advertisement, ca. 1987, part of a popular "portraits" campaign for American Express, for which the photographer won the Clio Award and the Campaign of the Decade Award from A...
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- Creators:
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Lockheed Aircraft Corp
- Dates:
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bulk 1940-1964
- Size:
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0.05 Cubic Feet ((1 folder))
- Collection ID:
- NASM.2015.0006
- Repository:
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National Air and Space Museum Archives
Eldred Lamar Crumly worked at the Photo Department at Lockheed's Burbank, California facility for two years in the late 1970s.
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- Creators:
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JW Labs (Raleigh, North Carolina).
Katchian, Sonia
- Dates:
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1995
- Size:
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6 Cubic feet (23 items)
- Collection ID:
- NMAH.AC.0793
- Repository:
-
Archives Center, National Museum of American History
23 color Cibachrome photoprints: portraits of farmers at the Carrboro Farmer's Market, Carrboro, North Carolina. Portraits made 1994 in a garage studio setup near the market, prints by JW Labs, Raleigh, North Carolina.
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- Creators:
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Ma, Paul
Ma, Linda
- Dates:
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1976-2000
- Size:
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0.3 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.1469
- Repository:
-
Archives Center, National Museum of American History
The collection documents Paul Ma's work as a chef and his efforts to popularize Chinese food in America.
Found In
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- Creators:
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Seele, Charline
Seele, Jean W. (Jean Warren), 1924-1993
- Dates:
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1963-1983
- Size:
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0.6 Cubic feet (6 boxes)
- Collection ID:
- NMAH.AC.0759
- Repository:
-
Archives Center, National Museum of American History
Approx. 1,065 color photographs (chromogenic prints), negatives and slides of rural scenes, mostly in Kansas.
Found In
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- Creators:
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Medical Sciences, Division of, NMAH, SI.
Wolver, Anita Tuohy
Tuohy, Kevin M., 1921-1968 (optometrist, inventor)
- Dates:
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1897-1959
- Size:
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1.2 Cubic feet (3 boxes)
- Collection ID:
- NMAH.AC.0317
- Repository:
-
Archives Center, National Museum of American History
Technical information on contact lenses, including manuals, brochures, etc. from Solex Laboratories, and articles from professional journals and other publications. Numerous photographs, including a set of color prints, illustrate techniques of fitting, inserting, and removing contact lens. Medical problems, legal cases involving patent infringemen...
Found In
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- Creators:
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d'Arazien, Arthur
- Dates:
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circa 1930-2002
- Size:
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11 Cubic feet (28 boxes)
- Collection ID:
- NMAH.AC.0314
- Repository:
-
Archives Center, National Museum of American History
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...