102 records — Page 1 of 11
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Creators:
Warshaw, Isadore, d. 1969
Dates:
1837-1956
Size:
0.23 Cubic feet (consisting of .5 box.)
Collection ID:
NMAH.AC.0060.S01.01.Combs
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Combs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Brill, William, 1918-2003
Dates:
circa 1983
Size:
479 Photographic prints (object copy prints; black & white, 8 x 10 in. or smaller )
17 photocopies
Collection ID:
EEPA.1985-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1830-1917
Size:
1.19 Cubic feet (consisting of 2.5 boxes, 2 folders, 1 oversize folder. )
Collection ID:
NMAH.AC.0060.S01.01.Buttons
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Buttons forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Church, Marilyn
Dates:
1975-2004.
Size:
1.5 Cubic feet (3 map-folders)
Collection ID:
NMAH.AC.1137
Repository:
Archives Center, National Museum of American History

Thirty-eight courtroom drawings by artist Marilyn Church. The drawings depict scenes from some of the most famous and notorious cases in the city of New York: Tupac Shakur's 1994 trial for sexual abuse; Sean John Combs's 2001 trial for assault and weapons violations; Sid Vicious's (John Simon Ritchie) pre-trial hearing for murder in 1978; Rubin "Hu...

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Creators:
Nickse, Hugo
Johnson, Hanford
Comstock, Cheney and Co.
Pratt, Read and Company
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Dates:
1839-1990
Size:
84 Cubic feet (104 boxes, 28 oversize folders)
Collection ID:
NMAH.AC.0320
Repository:
Archives Center, National Museum of American History

Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.

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Creators:
Safford, William Edwin, 1859-1926
Rieman, George B.
Steinberger, A. B. (Albert Barnes)
Field, Isobel, 1858-1953
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Dates:
n.d
Size:
250 Pages
Collection ID:
NAA.MS2956
Repository:
National Anthropological Archives

Ethnographic data, principally on Samoa including: I. Samoa. geographical outline, III. History and Discovery. Arrival of missionaries. U.S. Exploring Expedition. An Episode in Samoan History, IV Regulative organization, the family, the clan, caste, division of labor, rights of property, V. Clothing, ornaments, ceremonial paraphernalia, VI. Food an...

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Creators:
National Museum of American History. Program in African American Culture
Dates:
1975-2000
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 12-102
Repository:
Smithsonian Institution Archives

This accession consists of the records of the Program in African American Culture (PAAC), with earlier records dating from when PAAC was known as the Program in African American History and the Program in Black American Culture, respectively. The records primarily document planning for conferences and symposiums, such as "Roberta Martin and ...

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Creators:
Whitney, Joel E. (Joel Emmons), 1822-1886
Dates:
circa 1862
Size:
1 mounted print (albumen)
Collection ID:
NAA.PhotoLot.2000-25
Repository:
National Anthropological Archives

Carte de visite with portrait of Little Crow, a chief of the Mdewakanton Dakota Sioux and leader of the Sioux uprising in 1862. The photograph is copyrighted 1862 but this carte de visite was published through Whitney's studio Whitney & Zimmerman, active 1870-1871.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1836-1926
Size:
1.08 Cubic feet (consisting of 2 boxes, 1 folder, 2 oversize folders, 1 map case folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Hosiery
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Hosiery forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Dugmore, Edward, 1915-
Dates:
1937-1993
Size:
2 Linear feet
Collection ID:
AAA.dugmedwa
Repository:
Archives of American Art

The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.

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102 records — Page 1 of 11