Client files, administrative files, artwork, and collected food labels from graphic and industrial designer Francis Mair. Mair specialized in beverage labels and packaging during his many years with Landor Associates in San Francisco. Late in his career, he directed Landor's Museum of Packaging History. His prolific freelance career included designs for furniture, decorative arts, letterhead, and corporate images. His personal artwork included alphabets, typefaces, and sketchbooks. Much of his personal artwork is humorous or erotic.

This collection documents Bernhard's career as an REM advertisement artist in the 1920s as well as his pursuit of canvas painting following his retirement. It contains REM advertisements and materials from posthumous exhibitions of Bernhard's paintings, as well as writings from Bernhard himself and researchers.

The Commercial Decal, Incorporated records consist of decals, photographs and advertising materials that trace the business transactions of Commercial Decal, Incorporated from its early creation through its closing in 1992. Most of the actual decals and patterns are from the early 1970s through 1992. The records of product orders, however, date bac...

The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.

The papers of painter Ernest Briggs measure 2.4 linear feet and date from circa 1900-2013, bulk 1940-1983. The collection documents the life and career of this second generation abstract expressionist through biographical material; correspondence with artists and critics; writings and five diaries that chronicle the changing art world from 1950s-1970s; personal business records; printed material; and a significant amount of photographic material documenting the artist and his work.

The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions) and date from 1775 to 1997 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.

The papers of painter and educator Bernard A. Pfriem measure 8.4 linear feet and date from 1932-1995. The material documents Pfriem's career through biographical material, general and business correspondence, writings, subject files, printed matter, photographic material, sound, film, and video recordings, and artwork. A large portion of the papers concern Pfriem's tenure as founder and director of the Lacoste School of the Arts in Provence, France.

Collection primarily documents American folk art collected by Frederick Fried (1908-1994) and his wife Mary McKensie Hill Fried (1914-1988). It includes photographic materials, newspaper clippings, magazine articles, research files, lecture notes, unpublished manuscripts, brochures, drawings, printed advertisements, blueprints, books, patents, cor...

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.7 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection. There is a 0.4 linear feet unprocessed addition to this collection donated in 2021. Included is a betacam recording of Buchanan sculpture, August 27, 1986; a VHS recording of "Brothers in Clay: The Story of Georgia Folk Pottery," undated; a VHS "A World of Art: Works in Progress: Beverly Buchanan," Episode #5, The Annenberg/ CPB Collection; a VHS featuring Mary Lou Furcron, Lisa Lemaistre, Judy McWillie, May 9, 1987; a cassette recording of Beverly Buchanan Crossroads, February 1990; a CD of a Buchanan talk, May 9, 1990; a DVD (untitled); a DVD interview with Buchanan, October 30-31; a DVD of "A World of Art," 1996 and "Beverly Buchanan: Bernice Steinbaum Gallery, Museum of Arts and Science, Macon, GA." Material dates from 1986-1996.