183 records — Page 1 of 19
[ ]
Collapse
[ ]
Expand
Creators:
Gabriel, Léopold
Dates:
between 1920-1940
Size:
370 postcards (silver gelatin (2 v.), black & white, 9 x 14 cm. or smaller )
Collection ID:
EEPA.1989-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by L. Gabriel in Central Africa and Mozambique between 1914-1920.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Wulsin, Frederick R. (Frederick Roelker), 1891-1961
Dates:
circa 1927
Size:
2 Film reels (33 minutes, black-and-white silent; 1989 feet, 16mm)
Collection ID:
HSFA.1982.01
Repository:
Human Studies Film Archives

Footage shot on a journey from the White Nile in the Sudan, into Uganda, the Belgian Congo (Zaire), and French Equitorial Africa (Chad, Gabon, Congo, Central African Republic). Footage includes: traveling down the White Nile on a barge to Rejat, Sudan; the upper Uele River in central Africa; colonial presence (native bearers carrying Europeans and ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Roget, Léon, Major, 1865-1929
Dates:
1886-1888
Size:
53 photographic prints ((1 album), black & white, 12 x 17 cm.)
53 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
53 photographic prints (dupe prints (1 v.), black & white, 12 x 17 cm.)
Collection ID:
EEPA.1997-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs assembled by Major Leon Roget, 1858-1909, in 1886 and 1888 in Boma, Congo Free State. Major Roget had organized the first companies of Force publique and had become its first commander (1886-1888). Most of the images are described in captions written on separate sheets by Rene J. Cornet, author of "La Bataille du Rail." Some images show the building of the railroad of the lower Congo (Matadi-Kinshasa), Katanga, and relate to the Belgian occupation and geological exploration of the Southeastern province and Maniema of the Belgian Congo by his father, Jules Cornet, 1865-1929. The majority of the images show architecture and colonial life in Boma and Matadi. They include a balloon ascent in 1889, a group of African men and women, African troops and African women with scarification. The most remarkable photographs include a picture of a Kongo burial ground, a studio photograph of a "horizontale" in Sierre Leone and a portrait of Makoleka, a "feticheur," who was executed for murder.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Faber, Eduoard Otto
Dates:
circa 1918-1943
Size:
168 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.97-33
Repository:
National Anthropological Archives

Images of Congolese people, villages, boats, events, and scenery as well as possibly Faber and his friends and colleagues.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Congopresse
Dates:
1930-1960
Size:
392 Photographic prints ((4 albums), black & white, 18 x 24 mm.)
Collection ID:
EEPA.1993-016
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Congopresse photographers in the Belgian Congo. Accompanying the images are French and Flemish language captions which include specific information on locations and photographers, though often without dates.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Robinson, Blake
Dates:
1961
Size:
12 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
115 postcards (1 volume)
12 photographic prints ((1 album), black & white, 13 x 18 cm. or smaller.)
12 photographic prints (dupe prints (1 v.), black & white, 8 x 10 in.)
Collection ID:
EEPA.1997-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic album purchased by Blake Robinson in 1961 from the Charlejean Studio in Brazzaville, Congo. These images are of great interest as the images were most likely taken by an African photographer. Images include three of rivers scenes, two of funeral ceremonies, one each of a President and a press conference, three of modern house interiors and one aerial of Monumama. 42 postcards are from the city and surrounding countryside of Mogadishu, Somalia and depict architecture and wildlife. Evidence of Italian and Islamic influences appear in the urban scenes of Mogadishu's schools, banks, burial grounds, places of worship and legislative building. People pictured in the background are seen in mostly European clothing. A few scenes of the countryside include Somali herders in their traditional garments. Postcards of wildlife illustrate elephants, wart hogs, lions, buffalo, antelope and a leopard. 73 postcards depict scenes of urban and rural living in Chad, Nigeria, Liberia, Senegal, Cote d'Ivoire, Congo and Morocco. Images include market places, aerial views of Goree and Liberian basket weavers.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Pope, Arthur.
Dates:
circa 1899-1900
Size:
57 photographic prints (Photograph album)
Collection ID:
EEPA.2007-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This album contains 57 photographic prints, dating from circa 1899-1900, depicting the indigenous peoples of the Belgian Congo (later known as Zaire and presently known as the Democratic Republic of the Congo). Subjects depicted include costumes, body arts (hairstyles and scarification), funerary rituals, weavers and blacksmiths. Culture groups represented in the collection include the Kasai, Kwango and Luba peoples.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Putnam, Anne Eisner
Dates:
1936-1968
Size:
40 Items
Collection ID:
AAA.putnanne
Repository:
Archives of American Art

The scattered papers of painter Anne Eisner Putnam consist of 40 items and date from 1936 to 1968. Found is an application for Who's Who of American Women, and two letters concerning her book and artwork. Printed material includes clippings (1936-1965) about exhibitions of her artwork in New York, her experiences in Africa, press releases, and her obituary. Photographs are of Putnam's paintings; of Putnam at "Camp Putnam" in the Ituri Rainforest in the Belgian Congo (now Democratic Republic of the Congo) with members of one of the Congo Pygmy tribes; a snapshot of Putnam; and a portrait of Patrick Tracy Lowell Putnam.

Found In
183 records — Page 1 of 19