This collection documents the District Curators Jazz Arts Festivals held in Washington, D.C. between 1993 and 1998 and the Kennedy Center's Mary Lou Williams' Women in Jazz Series, 1996-2000. The subjects of the District Curators Festivals include the Steve and Iqua Colson Sextet, Sonny Sharrock Band, Don Bryon Quartet, David Sanchez, David Murray...
This collection include correpsondence, brochures, biographical files, artist's statements, interview transcripts, loan agreements, contact sheets, and photographs. All research gathered in prepartion for an exhibition on the art of Ed Dwight that was cancelled in 1983. Of interest is photographic documentation of Mr. Dwight in his studdio taken by museum staff.
The Lee Howard Marmon photographic prints and contact sheets contain 36 color and black and white photographic prints and two color contact sheets of 9 images each. Subjects include Laguna and Acoma elders (1950-1965), publicity images of celebrities (1967-1973), Native American portraiture (circa 1987), the New Mexico pueblos and landscape, and the potter Lucy M. Lewis, her daughters, and their pottery (1987).
An exhibition on the history of African American quilt-making. The show was organized by the Kentucky Quilt Project, Inc., Louisville, Kentucky and exhibited at the Anacostia Neighborhood Museum from July 1993 to October 1993. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, photographs, brochures, educational materials, and floor plans.
An innovated exhibition exploring contemporary problems of rats in urban areas. The show included a simulated environment of a back yard with live rats. The exhibit was created and exhibited at the Anacostia Neighborhood Museum in November 1969.
This show explored the history of English and French Caribbean music in the District of Columba and surrounding areas from the 1940s to the 1990s. Curated by Kimberly Freeman, the exhibition sought to broaden the general public's understanding of the role music plays in maintaining cultural identity for Caribbean immigrant communities in the metrop...
The majority of Pearse-Hocker's momentous negatives give eyewitness account to two weeks of both the mundane and brutal reality of daily life during the 1973 occupation of Wounded Knee on the Pine Ridge Indian Reservation in Pine Ridge, South Dakota. The takeover of the town and the conflict between about 200 members of AIM (American Indian Movement, the Native American civil rights activist organization begun in the 1968) and the United States Marshals Service began on February 27 and lasted for 71 days, resulting in tragedy on both sides of the conflict. Members of AIM along with some local Oglala (Lakota) Sioux from the local reservation took over the town in protest against the United States Government's history of broken treaties with various Native groups, the poverty and maltreatment of Native populations, as well as in defiance against the corruption and paternalism within the local subsidiary of the BIA (Bureau of Indian Affairs). The siege finally came to an end on May 5 when members of AIM and the assistant attorney general for the Civil Division of the US Justice Department Harlington Wood Jr. settled on a ceasefire. Kent Frizzell served as Chief Government Negotiator in the capacity of Assistant Attorney General (Land and Natural Resources Division, U. S. Department of Justice) and later as Solicitor, U. S. Department of the Interior. Among those pictured both during and post-conflict are AIM activists Dennis Banks, Clyde and Vernon Bellecourt, Ted and Russell Means, Frank Clearwater, Wallace Black Elk and Anna Mae Pictou Aquash. A small number of negatives also document AIM's takeover of the BIA building and the AIM Powwow both in Minneapolis in 1970.
An exhibition on selected works from the Barnett-Aden Gallery, which closed in 1969. The show was organized by the Anacostia Neighborhood Museum and exhibited there from January 20 through May 6, 1974. Afterwards, the show went on display at the Corcoran Gallery of Art from January 10 to February 9, 1975. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
An exhibition on the North Brentwood neighborhood of Washington, DC. The show was created by the Anacostia Community Museum in collaboration with the North Brentwood Historical Society. It was exhibited at the museum from April 1996 to December 1996. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, and floor plans.
A collaborative exhibition between the Anacostia Museum and Lucy E. Moten Elementary School in Southeast Washington, D.C. The show explores the materials collected by students, teachers and adults in an Occupational Home Economics class sponsored jointly by the D. C. Public Schools Career Development Program and the Greater Southeast Center for the...