Query: Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Exhibition Records
Creators:
National Collection of Fine Arts. Office of Exhibition and Design
Dates:
1970-1974
Size:
0.69 cu. ft. (1 16 x 20 box)
Collection ID:
Accession 07-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition posters which were used as indoor signage for exhibitions at the National Collection of Fine Arts and the Renwick Gallery. Exhibitions include H. Lyman Sayen 1875-1918; Jasper F. Cropsey (1823-1900); Romaine Brooks: "Thief of Souls"; Two American Painters: Fritz Scholder and T. C. Cannon; John Marin; Hidden …

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in Accession 07-076 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Departmental Records
Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and …

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in Accession 10-128 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Office of Exhibition and Design
Dates:
1947-1983
Size:
4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
Collection ID:
Record Unit 452
Repository:
Smithsonian Institution Archives

This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection. This collection of …

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in Record Unit 452 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Central Administrative File, Records
Dates:
1908-1974
Size:
59 cu. ft. (1 record storage box) (116 document boxes)
Collection ID:
Record Unit 313
Repository:
Smithsonian Institution Archives

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithsonian Art Commission and National Collection …

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in Record Unit 313 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Records
Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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in Record Unit 453 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Publicity Records
Creators:
National Museum of American Art. Office of Public Affairs
Dates:
circa 1968-1989
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 94-102
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records produced by the Office of Public Affairs, National Museum of American Art (NMAA). These records include outgoing and incoming correspondence of Margery Byers, former Chief of the office of Public Affairs, from 1977 to 1989; NMAA exhibition publications, brochures, and posters; lists of exhibition items; newspaper …

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in Accession 94-102 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Records
Creators:
National Collection of Fine Arts. Office of Exhibition and Design
Dates:
1964-1978
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Record Unit 448
Repository:
Smithsonian Institution Archives

These records consist of correspondence, photographs, and slides which document the design and installation of exhibitions at the National Collection of Fine Arts (NCFA) and the Renwick Gallery. Of special interest are records concerning the Patent Office Building (POB) Opening, 1968 and the exhibition America as Art, 1976. The records also document …

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in Record Unit 448 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Exhibition Records
Creators:
Renwick Gallery
Dates:
1970-2012
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 20-047
Repository:
Smithsonian Institution Archives

This accession consists of records that document planning, development and production activities for exhibitions at the Renwick Gallery, as well as reinstallation of permanent collections and the rotation of existing exhibitions. Some records also pertain to Thomas Moran paintings in the Grand Salon that were used in exhibition planning for …

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in Accession 20-047 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)
Eliot Elisofon Field collection
Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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in EEPA.1973-001 for Contemporary Nigerian Art: Craftsmen from Oshogbo (Exhibition) (1974: Washington, D.C.)