Papers, 1947-1994, of photographer and author Volkmar Kurt Wentzel, regarding a two year survey conducted for the National Geographic Society during 1946-1947, to visually document caves, temples, and sculpture of India, including: his typescript draft (photocopy), [after 1946], written for the National Geographic Magazine on the Ajanta and Ellora ...

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

The papers of New York City photographer, conceptual artist, and musical composer Cosmos Sarchiapone measure 49.2 linear feet and 0.367 GB and date from circa 1860-2011, with the bulk of the materials dating from 1940-2011. The collection includes biographical material and personal business records; correspondence; extensive writings, including written and recorded music compositions; teaching files; printed material and published sound and video recordings; photographic material; artwork; artifacts; and unpublished sound recordings and born-digital material. Highlights of the collection are more than 40,000 photographic images documenting New York's avant-garde art scene of the 1970s, along with celebrity parties, concerts, exhibition openings and other occasions in the art, music, and theater world. Extensive and somewhat rare printed materials offer users a visual chronical of the downtown art world in the form of posters from the 1970s, including a number of Milton Glaser's, and hundreds of exhibition announcements, theater programs, and playbills.

This reference collection was compiled by Ron Davies and consists of the following: 5,000 aviation prints; 3,500 airline timetables; 63 loose-leaf notebooks; airline annual reports; and miscellaneous airline memorabilia. It is unclear if additional timetables, negatives, photographs, and dossiers were donated from 1982-1989, or if the collection wa...

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.

This accession consists of a variety of material which documents the research and professional activities of Nathan Reingold. Materials include general correspondence and correspondence in regards to his research into the history of the United States scientific community since 1939; as well as documents from Reingold's work with the American ...

These records document the history of the United States National Museum, Division of Plants (1919-1947) and Department of Botany (1947-1949) while Ellsworth Paine Killip was an aid, assistant curator, associate curator, and curator of the Division and the Department, as well as personal correspondence between Killip and his colleagues document...

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...