An interview of Ramón Cernuda conducted 1998 March 28, by Juan A. Martínez, in Cernuda's office, Miami, Florida, for the Archives of American Art.

Margarita Cano's papers measure 0.2 linear feet and date from 1983-1985. The collection primarily concerns the 1983 exhibition The Miami Generation, 9 Cuban-American Artists, an exhibition organized by The Cuban Museum of Art in Culture in cooperation with the Miami-Dade Public Library System and for which Cano served as Project Director. Curated by Guilio V. Blanc, the exhibition included work by Mario Bencomo, Maria Brito-Avellana, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando Garcia, Juan Gonzalez, Carlos Macia, and Cesar Trasobares. The exhibition traveled to Meridian House International in Washington, DC and later to Philadelphia at the Balch Institute for Ethnic Studies in 1985. Found are two files of correspondence, exhibition planning and publicity files, a catalog, checklist, and photocopied news clippings. Most of the documents are photocopies. There is also one folder of slides and photographs of works of art in the exhibition.

An interview of Margarita Cano conducted 1998 April 22, by Juan A. Martínez, in Cano's home, Miami, Florida, for the Archives of American Art.

The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.

An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.

The papers of Cuban American painter Gustavo Acosta measure 1.0 linear feet and date from 1958 to 2017. Biographical material including artist statements and interviews are included, as well as documentation from Acosta's education and art production in Cuba. Correspondence is mostly professional in nature and spans from 1987 to 2012, in both Spanish and English. The professional files series includes exhibition documentation and proposals, as well as artwork inventories and a lecture including a digital slide presentation. Printed material includes exhibition announcements and catalogs as well as press clippings. Photographs include images of the artist and artwork among other subjects. The artwork series includes various drawings and sketchbooks, in addition to art source materials including numerous photographs, many with notation and traces of drawing or paint.

Exiles in America: Cuban Pedro Pans and Balseros was an oral history project designed to research and document the journeys and experiences of two distinct immigration/migration experiences of the Cuban diaspora. Steve Valesquez of the National Museum of American History Division of Home and Community Life conducted twelve oral history interviews between 2014-2015. The project was funded by the Consortium for the American Experience. Correspondence written by the interviewees (as children) was transferred, processed, and digitized in 2020 through funds awarded by the Smithsonian Institution's Latino Initiatives Pool.

The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.

The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.

The complete records of the Orange Bowl Parade, Miami, Florida containing float renderings, programs, and photographs.