This collection contains drawings and preliminary analysis studies of the PT-6, PT-4, GA-21, PT-6F, GA-60, GA-36, GA-50, and an Experimental Observation and Training Airplane.
Priscilla Cunningham papers regarding Sue Fuller measure 0.2 linear feet and are dated 1982-2006. The friendship between Cunningham and Fuller and Fuller's sculpture are documented by letters and photographs. Also included is a written version of Fuller's reminiscences of Atelier 17 in New York City that she presented at the Pollock-Krasner House and Study Center in 1993.
The collection consists of glass plate negatives and photographic prints of the glass plate negatives depicting horse-drawn hearses (funeral wagons), carriages, and ambulances and motorized vehicles produced by James Cunningham, Son and Company from approximately 1908 to 1929. The majority of the glass plates and photographic prints depict horse-drawn hearses, but there are some motorized vehicles.
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.
This collection contains Hall's personal and professional papers. The material consists of his correspondence, photos, and scrapbooks, as well as patent and patent infringement files.
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.
Contents: Various letters concerning the proposed purchase of the Codex Nuttall from Mrs. Zelia Nuttall through Mrs. Alice Fletcher. Another series of correspondence included concerns the financing of archaeological work in the area of the Pedregal outside of Mexico City by Mrs. Nuttall. The four photographs show a series of ceramic heads found in ...
One printed note and libretto for The Gate City: A Masque of the City of Omaha, a production of the Lincoln Commerical Club of the University of Nebraska. It was the second of a series of The Pageant of Lincoln. The is also a printed program. The photographs include scenes from the masque, including a portion called The sacred tree of the Omaha. In...
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Photographs of a casket found by a man named Mole in Lawrence County, Arkansas. According to a note with the collection, the casket is that of De Soto and was owned by J. M. Winders at the time the photographs were made. There is also an image of a medallion, possibly found in White River and also owned by Winders.