41 records — Page 1 of 5
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Creators:
Paul, William L. Jr
Curry, James E., 1907-1972
Dates:
1932-1958
Size:
121.7 Linear feet
Collection ID:
NMAI.AC.015
Repository:
National Museum of the American Indian

These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.

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Creators:
National Museum of Natural History (U.S.). Native American Public Programs
Dates:
1989-1993
Size:
5,750 Prints (circa, silver gelatin (including contact prints))
12 color transparencies
10 color negatives
3,500 color slides (circa)
67 color prints
4 Negatives (acetate)
Collection ID:
NAA.PhotoLot.91-26
Repository:
National Anthropological Archives

Photographs documenting Native American Public Programs events, including images of American Indian artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, ...

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Creators:
Faring, Robert M. Jr
Dates:
1967-1971
Size:
61 Prints (silver gelatin)
169 polaroid prints (color)
Collection ID:
NAA.PhotoLot.85-21
Repository:
National Anthropological Archives

Photographs depicting tribal delegates, probably made by Robert M. Farring during tribal group visits to the Bureau of Indian Affairs Washington office. Many of the photographs were originally mounted in notebooks with identification of pictured individuals and their affiliations.

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Creators:
Gardner, Alexander, 1821-1882
Dates:
1866-1868
Size:
61 Photographic prints
Collection ID:
NMAI.AC.077
Repository:
National Museum of the American Indian

Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations. This collection contains 61 albumen prints that were shot by Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Photographs depict American Indian tribes and Peace Commissioners involved in the 1868 Fort Laramie Treaty; photographs shot along the Union Pacific Railway, Eastern Division in 1867; and photographs of American Indian delegations visiting Washington, D. C. from 1866-1868.

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Creators:
Jackson, William Henry, 1843-1942
Dates:
circa 1877
Size:
9 Albums (circa 4000 prints, albumen (some copies))
Collection ID:
NAA.PhotoLot.4420
Repository:
National Anthropological Archives

Albums probably assembled by William Henry Jackson, mostly containing portraits of American Indian delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander...

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Creators:
Denig, Edwin Thompson, 1812-1858
Dates:
ca. 1853
Size:
37 Items (drawings pasted onto 19 mounts, graphite and ink, mounts 18 x 22 cm.-36 x 24 cm.)
Collection ID:
NAA.MS2600B1
Repository:
National Anthropological Archives

These are the original drawings that accompanied Edwin Thompson Denig's 451 page manuscript, entitled "Report to Hon. Isaac I. Stevens, Governor of Washington Territory, on the Indian Tribes of the Upper Missouri, by Edwin Thompson Denig." The drawings depict utensils, tools, game pieces, plants, warfare, hunting, a tipi, a scalp dance, and a map. ...

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Creators:
Choate, John N., of Carlisle, Pennsylvania
Anderson, J. A.
Northwestern Photographic Company
Dates:
undated
Size:
44 mounted prints
Collection ID:
NAA.MS4574
Repository:
National Anthropological Archives

Photographs of Carlisle by J. N. Choate, three Rosebud Agency photographs by J. A. Anderson, the rest unidentified as to photographer. The photographs probably date between 1880 and 1895.

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Allen, Harriet Collins
Dates:
1897-1925
Size:
0.2 Linear feet
Collection ID:
AAA.alleharr
Repository:
Archives of American Art

The papers of art patron Harriet Collins Allen measure 0.2 linear feet and date from 1897-1925. Found within the papers are letters primarily written by Solon Borglum and his wife, Emma, to Harriet Collins Allen. The letters were written from Omaha, London, Paris, and New York and provide a cursory overview of some of the events in Borglum's career and insights into his relationship with his older brother sculptor Gutzon Borglum. Borglum writes about meeting and working with other sculptors in Paris and New York and his wife writes about conflicts between the two brothers and exhibitions of Solon's work. Also found within the papers are clippings, a brochure for Borglum's book A Comparative Analysis of Natural Forms and Their Relation to the Human Figure, and photographs of Borglum in his studio and of his works.

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41 records — Page 1 of 5