266 records — Page 1 of 27
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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Wright, Bill
Dates:
circa 1986, 1993
Size:
14 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.91-3
Repository:
National Anthropological Archives

Photographs made by Bill Wright circa 1993 documenting Kickapoo Indians in Colonia el Nacimiento, Mexico, and Black Seminole Indians in Coahuila, Mexico. There are also three images of the 1986 Tiwa Celebration of St. Anthony that depict dancers, preparations, and a procession.

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Creators:
DC Cowboys Dance Company
Dates:
undated
1994-2012
Size:
7.5 Cubic feet (22 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.1312
Repository:
Archives Center, National Museum of American History

The records of the DC Cowboys Dance Company, an all-male, gay, non-profit dance company based in Washington, DC. that was active from 1994-2012. They peformed nationally and internationally live and on television, "celebrating diversity through dance."

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Creators:
Dutcher, Eugene S. (photographer and collector)
Dates:
circa 1892-1898
Size:
30 Letters (Correspondence :)
190 Prints (circa, silver gelatin and albumen)
1 Stereograph (albumen)
Collection ID:
NAA.PhotoLot.92-9
Repository:
National Anthropological Archives

Photographs and correspondence relating to Eugene Dutcher's experiences as a missionary at the Epworth Piegan Mission in Montana. They include images of the mission church and missionaries' homes, as well as scenic views, ranch scenes, railroads and bridges. There are also images of Piegan Indians, including "Mrs. Four Horns," Charley Lazyboy, and...

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Creators:
Bickley, Everett H., 1888-1972
Dates:
1919-1980
bulk 1919-1965
Size:
5 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0683
Repository:
Archives Center, National Museum of American History

The Everett H. Bickley Collection, 1919-1980, documents the inventions of Everett Huckel Bickley, most known for his electric sorting machine used to automate the process of sorting beans by use of a photoelectric cell. The collection consists of patents, drawings, photographs, correspondence, and artifacts designed by Bickley. The collection spans a considerable portion of the twentieth century and is of value to those researchers interested in product development, the patent application process, product marketing and promotion, World War II innovation, and the daily operation of a small, privately-owned industry.

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Dates:
between 1958-1972
Size:
178 slides (photographs) (color)
Collection ID:
EEPA.2003-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Allan L. Pitcher, a Foreign Service officer working and traveling in Nigeria, Cameroon, Liberia, Ghana and Upper Volta. Images include individual and group portraits of men, women and children, leaders and village elders. There are numerous images of markets to include close-ups of market stalls and street views. Also included are images of rites, ceremonies and various dance performances in Liberia, among the boys about to enter the initiation camp, women of Sande society and dances performed in conjunction with government ceremonies. Another focus of the photography are industry and economic activities. Slides show rubber production in Firestone Rubber plantation (Liberia), mining and dam construction. Among the most important images are architectural shots, which include African residences as well as official buildings. Pitcher also photographed the Esso station with the screens by Adebisi Akanji and a shrine in Oshogbo.

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Creators:
Bourne, Samuel, 1834-1912
Dates:
circa 1860s
Size:
1 Print (albumen, image, 24 x 29 cm., mounted 31 x 40.)
Collection ID:
FSA.A1998.07
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One albumen print of a nautch bungalow at the Shalimar Garden, Srinagar, India, circa 1860s. With two men next to a pool of water. Signed "Bourne 806" in black ink on bottom right of image. "Nautch Bungalow Shalimar" is inscribed on the board beneath the photograph.

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Creators:
Berensohn, Paulus
Shapiro, Mark, 1955-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 March 20-21
Size:
60 Pages (Transcript)
7 Items (Sound recording: 7 sound files (4 hr., 13 min.), digital, wav)
Collection ID:
AAA.berens09
Repository:
Archives of American Art

An interview of Paulus Berensohn conducted 2009 March 20-21, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Berensohn's home and studio, in Penland, North Carolina.

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Creators:
Hill, Richard W., Sr.
Dates:
circa 1972-1978
Size:
25 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.83-35
Repository:
National Anthropological Archives

Informal photographic portraits depicting Iroquois, Seminole, and other American Indians. Images document the preparation of fry bread, a lacrosse player, a corn-husk doll maker, an Iroquois dancer, a longhouse wedding party, a Seneca wood carver making a water drum, a Seneca basketmaker, and a Seneca flute maker.

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Creators:
Caffin, Charles Henry, 1854-1918
Dates:
circa 1883-1973
bulk 1883-1918
Size:
1.2 Linear feet
Collection ID:
AAA.caffchar
Repository:
Archives of American Art

The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.

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266 records — Page 1 of 27