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- Creators:
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Michelson, Truman, 1879-1938
- Dates:
-
undated
- Size:
-
106 Items (cards )
- Collection ID:
- NAA.MS3063
- Repository:
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National Anthropological Archives
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
-
undated
1812-1978
- Size:
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49 Boxes
- Collection ID:
- NMAH.AC.0300.S18
- Repository:
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Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 18, Dance contains approximately 3,330 pieces of sheet music and other materials documenting the development of and popular attitudes towards dance in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Michelson, Truman, 1879-1938
Peters, Sam, 1885-
- Dates:
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undated
- Size:
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125 Pages
- Collection ID:
- NAA.MS2583
- Repository:
-
National Anthropological Archives
Contents: Text and translations. Thunder gens; War dance; Bear gens; Owl dance; (Mamasa) Bear gens; Sakamagewa Pack. English translation first 12 pages/ Religion dance.
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- Creators:
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Anderson, John ?
- Dates:
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1900-1910
- Size:
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12 Items (post card prints )
- Collection ID:
- NAA.MS4819
- Repository:
-
National Anthropological Archives
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- Creators:
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Fenton, William N. (William Nelson), 1908-2005
Smith, Ernest, 1907-1975 (Seneca)
- Dates:
-
undated
- Collection ID:
- NAA.MS4398
- Repository:
-
National Anthropological Archives
Includes: 1. Correspondence and notes on the eagle dance. Ca. 1937-1951. 2. Plates 1-28, Bull. 156 and figures 1 and 2. 3. (In oversize file) Two original paintings by Ernest Smith, Seneca. Published in Bull. 156 (Copy Negatives 43,792 and 43,792-A) 4. First draft and author's final draft of manuscript. For disposal when Bull. 156 published. Date d...
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- Creators:
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Salzmann, Zdeněk
Nettl, Bruno, 1930-
- Dates:
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1951
- Size:
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2 Sheets
- Collection ID:
- NAA.MS4381
- Repository:
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National Anthropological Archives
Duplicated transcriptions of Arapaho songs collected by Mr. Z. Salzmann, of Indiana University. They accompanied a paper read recently at a meeting of the Musicological Society at Michigan State College. The following titles are represented: Wolf Dance Song; Rabbit Dance Song; Sun Dance Song; Round Dance Song; Soldierʹs Song; Skybird Song; Peyote C...
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1882-1965
undated
- Size:
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0.96 Cubic feet (consisting of 2 boxes, 2 folders, 1 oversize folder.)
- Collection ID:
- NMAH.AC.0060.S01.01.Dance
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Dance forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Michelson, Truman, 1879-1938
- Dates:
-
undated
- Size:
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1 item (card )
- Collection ID:
- NAA.MS2227
- Repository:
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National Anthropological Archives
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- Creators:
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Michelson, Truman, 1879-1938
Peters, Jim, 1866-
Poweshiek, Horace
- Dates:
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undated
- Size:
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208 Pages
- Collection ID:
- NAA.MS3109
- Repository:
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National Anthropological Archives
Typewritten translation of the Thunder dance of the Bear gens by Dr Michelson (Submitted for publication January 27, 1928). Translated by H. Powshiek.
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- Creators:
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Ailey, Alvin
Mitchell, Jack, 1925-
- Dates:
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1961-2004
- Size:
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16 Linear feet
- Collection ID:
- NMAAHC.A2013.245
- Repository:
-
National Museum of African American History and Culture
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.