55 records — Page 1 of 6
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Creators:
Museum of Contemporary Art (Chicago, Ill.)
Dates:
1979-1986
Size:
8 Linear feet
Collection ID:
AAA.musecaci
Repository:
Archives of American Art

The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.

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Creators:
Page, Marie Danforth, 1869-1940
Dates:
1867-2016
Size:
5.9 Linear feet
Collection ID:
AAA.pagemari
Repository:
Archives of American Art

The papers of Boston portrait painter Marie Danforth Page measure 5.9 linear feet and date from 1867 to 2016. The papers document her career in Boston, Massachusetts, through biographical material, correspondence, subject files, personal business records, printed material, artwork, and photographic material.

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Creators:
Sturges, Jonathan, 1802-1874
Dates:
1834-1866
Size:
0.2 Items (linear ft.(on partial microfilm reel))
Collection ID:
AAA.sturjona
Repository:
Archives of American Art

6 letters to Dudley B. Fuller from his family, a friend, and Sturges concerning the Apollo Association's desire to have Danforth engrave Mount's "Undutiful Boys" and Danforth's inability to do so; 3 letters to Luman Reed, one from artist George W. Flagg detailing his impressions of Paris and art; and 2 receipt books, recording Sturges' payments for...

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Creators:
WalkingStick, Kay
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2011 December 14-15
Size:
7 Items (Sound recording: 7 sound files (5 hr., 21 min.))
105 Pages (Transcript)
Collection ID:
AAA.walkin11
Repository:
Archives of American Art

An oral history interview of Kay WalkingStick conducted 2011 December 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at WalkingStick's studio, in Jackson Heights, Queens, New York.

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Creators:
Byers, George William, 1923-
Dates:
1956-1993
Size:
0.25 cu. ft. (1 half document box)
Collection ID:
Record Unit 7452
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Renwick Gallery
Dates:
1970-1983
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 16-149
Repository:
Smithsonian Institution Archives

This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples. Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. I...

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Creators:
Emmet family
Dates:
1792-1989
bulk 1851-1989
Size:
9.1 Linear feet
Collection ID:
AAA.emmefami
Repository:
Archives of American Art

The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.

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Creators:
Allan Frumkin Gallery
Dates:
1880
1944-2016
Size:
25.6 Linear feet
Collection ID:
AAA.allafrum
Repository:
Archives of American Art

The records of the Allan Frumkin Gallery, a Chicago and New York City gallery, measure 25.6 linear feet and date from 1944-2016 with one letter pertaining to artwork documentation dating from 1880. The collection documents the gallery's activities through administrative files, dealer and client correspondence, artist files, financial records, gallery newsletters, printed material, and photographic material. Artist files represent over one-third of the collection and provide insight into the close relationship between Frumkin and many of the gallery's major artists including Robert Arneson, Luis Cruz Azaceta, Jack Beal, Joan Brown, Colin Lanceley, Maryan, Roberto Matta, Philip Pearlstein, Peter Saul, H.C. Westermann, and William T. Wiley. Also included in the collection are the Frumkin Family papers, consisting of writings by Allan and wife Jean Martin Frumkin, editorial copy of Art Book Review, personal papers, and material relating to the Frumkin personal art collection and estate.

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1930-1995, undated
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 primarily consists of color and hand-colored photographs but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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55 records — Page 1 of 6