14 records — Page 1 of 2
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Creators:
DeWolf, James, 1764-1837
Dates:
1757-1947
Size:
1.8 Cubic feet
Collection ID:
NMAAHC.A2018.17.2
Repository:
National Museum of African American History and Culture

The Papers of the DeWolf Family shed light on one of the wealthiest New England families in the 18th-19th centuries who made their fortune by engaging in each part of the transatlantic slave trade. This collection is comprised of photographs, correspondence, publications, and business records including daily logs and ship manifests. Included in th...

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Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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Creators:
Halpert, Edith Gregor, 1900-1970
Phillips, Harlan B. (Harlan Buddington), 1920-
Dates:
1962-1963
Size:
436 Pages (Transcript)
Collection ID:
AAA.halper62
Repository:
Archives of American Art

An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.

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Creators:
Brandon Fortune
Dates:
1977-1993
bulk 1987-1991
Size:
6.75 Linear feet
Collection ID:
NPG.CAP.00004
Repository:
National Portrait Gallery

Research material gathered by Brandon B. Fortune regarding two exhibitions and one exhibition catalog about the 1893 World's Columbian Exposition in Chicago; including correspondence with museums and collectors, and photocopied book pages. The exact title of the first exhibition is now unknown, but it was likely similar to "World's Columbian Exhibition, 1893: Department of Fine Arts." The second exhibition was entitled "American Art at the 1893 World's Fair-Revisiting the White City," which was accompanied by a book with the same title.

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Dates:
1865–1872
Size:
23 Reels
Collection ID:
NMAAHC.FB.M1901
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M1901. These digital surrogates reproduced the records of the Arkansas staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1839-1956
Size:
0.47 Cubic feet (consisting of 1 box, 1 folder, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Oils
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Oils and Lubricants forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
American Ornithologists' Union
Dates:
1865-
Size:
9.5 cu. ft. (19 document boxes)
Collection ID:
Record Unit 7308
Repository:
Smithsonian Institution Archives

Record unit 7308 contains biographical materials assembled by the American Ornithologists' Union (AOU). A portion of these materials were transferred to the Smithsonian Archives in 1974 and 1975 as part of the main body of AOU records. The AOU has named the Smithsonian Archives as repository for its official records. In 1983, the Archives ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1836-1980
Size:
2.37 Cubic feet (consisting of 5 boxes, 1 folder, 4 oversized folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Mining
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Mining forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.8 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.8 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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Creators:
Alexander, John White, 1856-1915
Dates:
1775-1968
bulk 1870-1915
Size:
11.9 Linear feet
Collection ID:
AAA.alexjohn
Repository:
Archives of American Art

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

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14 records — Page 1 of 2