The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
This record unit consists of the correspondence of Edgar P. Richardson, Director, 1954-1964; his successor, William E. Woolfenden, 1964-1983; Richard N. Murray, 1983- , and other staff members; minutes and records of the Board of Trustees; manuscripts, correspondence, and other records of the Archives of American Art Journal; and the files ...
The papers of Charles Culver measure 3.5 linear feet and date from 1920-1997. This material documents his personal life and career as a watercolorist and art critic for The Detriot Free Press from the late 1930s-1967. The collection includes biographical material, correspondence, writings, business files, artwork, photographs, printed material and artifacts.
Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
The papers of Detroit portrait painter Percy Ives (1864-1928), measure 1.4 linear feet and date from circa 1890-1994, with the bulk of the material dating from circa 1890-circa 1930. Two hundred and fifty-eight glass plate negatives of sitters, models, and artwork by Ives form the bulk of the collection. Additional papers include two 1923 letters, a folder of notes, news clippings, sketches, and photographs.
This small collection of scattered papers of painter and illustrator Charles E. Waltensperger measures 1.2 linear feet and dates from 1893-1931. Papers include biographical material, scattered correspondence between family members, sales records, engagement diaries, notes, sketches of the human form, printed material, and photographs of Waltensperger, his family, colleagues, and travel scenes.
The collection measures 0.2 linear feet, dates from 1929 to 1955, and provides information about the career of modern realist painter A. S. Baylinson. Found are a biographical account, printed material, and photographs of Baylinson and of his works of art.
The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings.