113 records — Page 1 of 12
[ ]
Collapse
[ ]
Expand
Creators:
Espada, Jason
Espada, Frank, 1930-
Dates:
1962-2008
Size:
17 Cubic feet (52 boxes)
Collection ID:
NMAH.AC.1395
Repository:
Archives Center, National Museum of American History

Collection consists of photographic materials taken by Frank Espada, mostly images from the Puerto Rican Diaspora Documentary Project, which documents these communities across the Unites States. In addition, there are materials relating to his earlier work documenting civil rights activities, also in the United States during the 1960s and 1970s.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of the American Indian. Office of Education and Museum Programs. Publications Office
Dates:
2013-2014
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Accession 14-032
Repository:
Smithsonian Institution Archives

This accession consists of the publications: Before and After the Horizon: Anishinaabe Artists of the Great Lakes and For a Love of His People: The Photography of Horace Poolaw. Before and After the Horizon: Anishinaabe Artists of the Great Lakes was published in conjunction with the exhibition of the same name at the George Gustav Heye C...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Faul, Jan, 1945-
Dates:
1991
Size:
0.3 Cubic feet (1 box)
Collection ID:
NMAH.AC.0441
Repository:
Archives Center, National Museum of American History

The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Vanderbilt, Paul
Dates:
1854-1992
bulk 1945-1992
Size:
25.2 Linear feet
Collection ID:
AAA.vandpaul
Repository:
Archives of American Art

The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of Natural History. Office of Exhibits
Dates:
1978-2003
Size:
7.69 cu. ft. (7 record storage boxes) (1 16x20 box)
Collection ID:
Accession 06-058
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and execution of special exhibitions. Exhibitions documented include "Ainu: Spirit of a Northern People," "Eyes on Science: Illustrating Natural History," "Spiders!," "Seeds of Change," "Margaret Mee: Return to the Amazon," "Galapagos: A Living Laboratory," "Making of the Natural ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Brookman, Philip
Dates:
1977-1993
Size:
3.5 Linear feet
Collection ID:
AAA.broophil
Repository:
Archives of American Art

The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
United States. Army Air Forces
Dates:
1946
Size:
0.83 Cubic feet ((1 flatbox))
Collection ID:
NASM.XXXX.0302
Repository:
National Air and Space Museum Archives

This scrapbook is a photo and documentary history of the Task Group T-2 which was given the responsibility of the overall supervision of the AAF Airborne installation and large part of the photography. It mostly contains what appears to be photograph prints for briefing boards. Included are statistics and supply requirements, charts of types of cam...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Arnold, Rudy, 1902-1966
Dates:
circa 1920s-1950s
bulk 1920-1940
Size:
10.91 Cubic feet (9,579 photographic items)
25.37 Linear feet (38 boxes)
Collection ID:
NASM.XXXX.0356
Repository:
National Air and Space Museum Archives

Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Productions
Dates:
circa 1970-2002
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 17-258
Repository:
Smithsonian Institution Archives

This accession consists of elements created during the production of audiovisual materials for exhibition and events at the National Museum of History and Technology and the National Museum of American History. Materials include prints, dubs, soundtracks, narration, and related materials on film, audiotapes, videotapes, and data cartridges. ...

Found In
113 records — Page 1 of 12