36 records — Page 1 of 4
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Dates:
1957-1973
bulk 1970-1973
Size:
358 Slides (photographs) (+22 postcards, color)
10 Photographic prints ((dupe prints), color, 8 x 10 in. or smaller)
Collection ID:
EEPA.1986-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken and postcards gathered by Philip M. Abrams during his travels through Liberia, Mali, Guinea, Cote d'Ivoire, Cameroon and Burkina Faso, 1970-1973. Activities documented in the images include a Bundu sande women's society performance with Sowei (female guardian spirit) masks in Liberia; a Dogon dama (festival) masquerade staged for tourists in Sangha, Mali; a Grebo war dance in Krutown, Monrovia, Liberia; young Vai boys during initiation into the poro male secret society; and masked Vai dancers performing on Providence Island, Monrovia.

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Creators:
National Museum of African Art (U.S.)
Dates:
1989
Size:
1 Video recording ((28:00 min.) , sound, color)
Collection ID:
EEPA.1989-030
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The videorecording "Togu na and Check: Change and Continuity in the Art of Mali", which documents two forms of art of the Dogon and Bamana peoples in Mali, West Africa, in 1989.

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Creators:
Staniski, Stanley
Dates:
1989
Size:
Film reels (color sound; 19,000 feet, 16mm)
Collection ID:
HSFA.2004.15
Repository:
Human Studies Film Archives

Collection consists of outtakes from the edited videorecording "Togu na and Check: Change and Continuity in the Art of Mali." The film documents two forms of art of the Dogon and Bamana peoples in Mali, West Africa, in 1989. The edited videorecording was used in the National Musuem of African Art exhibition entitled, "Icons: Ideals and Power in ...

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Creators:
Brill, William, 1918-2003
Dates:
circa 1983
Size:
479 Photographic prints (object copy prints; black & white, 8 x 10 in. or smaller )
17 Photocopies
Collection ID:
EEPA.1985-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools.

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Creators:
Sieber, Roy, 1923-2001
Dates:
circa 1965
Size:
65 Slides (photographs) ((dupes), color)
Collection ID:
EEPA.1985-011
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Roy Sieber. Images of African textile and the dyeing and weaving processes. Objects depicted include Asante Kente cloth, Hausa embroidered pants, Jukun tie-dye waist cloth, a Kuba hat, Yoruba indigo dye and a Zulu cloak, as well as akwete cloth from Nigeria, an appliqué dress from Cameroon, an appliqué robe from Ghana, cloth from Dahomey (now Benin) and dye pots from Ede. People portrayed include a Dogon dancer, Kajiado warriors with spears and shields, a weaver making cloth, and women dyeing cloth with indigo.

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Creators:
Elisofon, Eliot
Dates:
1942-1972
Size:
5,000 Photographic prints ((10 boxes), b&w, 14 x 11 in. or smaller)
Collection ID:
EEPA.1973-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Eliot Elisofon in Africa and in European and American museums and collections during his extensive travels from 1942 through 1972. African kingdoms and peoples represented include Afo, Anyi, Asante, Atie, Baga, Bamana, Baule, Bembe, Benin, Bobo, Boki, Bozo, Chamba, Chokwe, Dan, Dinka, Dogon, Ebrie, Efik, Ejagham, Hausa, Ibibio, Idoma, Ife, Igbo-Ukwu, Ijo, Jenne, Jukun, Kamba, Kissi, Kom, Kongo, Kono, kota, Kpelle, Kuba, Kuyu, Kwele, Lega, Lobi, Loma, Lozi, Luba, Lulua, Lunda, Mambila, Mende, Mossi, Nalu, Ndebele, Ngbaka, Ngoni, Nok, Nupe, Nyamwezi, Pende, Suku, Susu, Tabwa, Teke, Temne, Tetela, Tiv, Tuareg, Urhobo, Vai, Woyo, Yaka, Yoruba, and Zande.

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Creators:
Ravenhill, Philip L.
Dates:
1989
Size:
2 Volumes (slides , color)
1 Boxe (dupe slides, color)
Collection ID:
EEPA.1989-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.

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Creators:
Stanley, Betty, Mrs
Roy, Christopher D.
Stanley, C. Maxwell, 1904-1984 (collector and philanthropist)
Dates:
1985
Size:
120 Slides (photographs) (1 volume , color)
Collection ID:
EEPA.1987-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of art objects collected by Maxwell C., 1904-1984, and Betty Stanley. The Stanley's had begun to collect African art objects during a business trip to West Africa in the 1960s, and they gradually acquired nearly 600 pieces. The objects are found today in the University of Iowa Museum. Events documented include official government ceremonies with staged indigenous dances; rituals in villages such as young members of the female sande society returning from the initiation camp; and visits by foreign heads of state such as Queen Elizabeth II and Josip Broz Tito of Yoguslavia. Art works include figures, masks, musical instruments, sculptures and staffs.

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Creators:
Boulton, Laura, 1899-1980
Dates:
1934-1985
Size:
Film reels (16mm)
0.5 Linear feet
Collection ID:
HSFA.1987.09
Repository:
Human Studies Film Archives

Film and video of the ethnomusicology collection of Laura C. Boulton, shot primarily by Dr. Boulton among traditional peoples around the world. (See inventory attached to agreement). Collection contains supplementary material: associated texts, sound recordings, annotations, sound logs, and field notes. Please note that the contents of the colle...

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Creators:
Pringle, Robert, 1936-
Dates:
circa 1980-1989
Size:
2136 Slides (photographs) (color , 35mm.)
829 Negatives (photographic) (color , 35mm.)
Collection ID:
EEPA.2006-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.

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36 records — Page 1 of 4