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- Creators:
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Dole, William, 1917-
- Dates:
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1945-1977
- Size:
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35 Items
- Collection ID:
- AAA.dolewill
- Repository:
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Archives of American Art
Draft of a catalogue of Dole's work, 1962-1976, including title, medium, size, and date (119 pp.); 32 catalogues and announcements; a photograph of Dole; and a flyer.
Found In
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- Creators:
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Clef, Roman A., 1929-
Leopold, Michael, 1929-
- Dates:
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1968-1980
- Size:
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0.4 Linear feet
- Collection ID:
- AAA.guerhenr
- Repository:
-
Archives of American Art
Photographs of Leopold and Clef in their studio and of William Dole and Ruth S. Schaffner at an exhibition opening; manuscripts by Leopold and Clef entitled "Roman A. Clef on the Works of Henry Guerriero," "X-Art," "Polarity,"and "Refinement and Re-Evaluation," and drafts for catalog texts; exhibition catalogs and announcements; and a draft for a H...
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- Creators:
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Eggan, Fred, 1906-1991
Ewbank, Thomas, 1792-1870
Fischell, A.
French, Kathrine S. (Kathrine Story), 1922-2006
More … - Dates:
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1834-1964
- Size:
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7 Linear feet (14 boxes)
- Collection ID:
- NAA.2007-11
- Repository:
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National Anthropological Archives
The records of the American Ethnological Society (AES) document its activities from its founding in 1842 through the mid-1960s. The American Ethnological Society is the oldest anthropological association in America. It has been interested in publishing and promoting study of different cultures in the Americas from its founding in 1842 to the present. Materials include correspondence, reports, and financial records relating to the administrative functions of the organization.
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- Creators:
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Alan Gallery (Charles Alan)
Felix Landau Gallery
- Dates:
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1953-1970
- Size:
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15.1 Linear feet
1 Film reel (Motion picture film (400 ft.), sd., b&w, 16 mm.)
1 Videocassettes (VHS) (Reference copy (12 min.) , sd., b&w, 1/2 in.)
- Collection ID:
- AAA.alangall
- Repository:
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Archives of American Art
Correspondence with artists; general business correspondence, 1953-1969; legal documents (some pertaining to owner Charles Alan's separation from the Downtown Gallery and establishment of the Alan Gallery); business records, including price lists, inventories, loan agreements, purchase and consignment records, receipts for purchases, and general le...
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- Creators:
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Gardner, Isabella Stewart, 1840-1924
- Dates:
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1760-1956
- Size:
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40 Microfilm reels
- Collection ID:
- AAA.gardisab
- Repository:
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Archives of American Art
Letters, business records, diary, and photographs.
Found In
Downtown Gallery records
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- Creators:
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Downtown Gallery
- Dates:
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1824-1974
bulk 1926-1969
- Size:
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109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
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Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1923-1940
- Size:
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15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.12
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Macbeth Gallery
- Dates:
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1947-1948
1838-1968
bulk 1892-1953
- Size:
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131.6 Linear feet
- Collection ID:
- AAA.macbgall
- Repository:
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Archives of American Art
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Found In
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- Creators:
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Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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1964-1994, undated
- Size:
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72 Boxes
- Collection ID:
- NMAH.AC.0618.S05
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Rosenblum, Walter, 1919-2006
- Dates:
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ca. 1945-1976
- Size:
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38.7 Linear feet ((7,396 negatives, with black-and-white study prints))
- Collection ID:
- SAAM.Photo.ROS
- Repository:
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Smithsonian American Art Museum, Research and Scholars Center
The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.